诗词画谱与晚明徽州版刻——以《诗馀画谱》为中心

发布时间：2018-04-22 07:08

  本文选题：晚明 + 版刻　； 参考：《中国典籍与文化》2017年03期

【摘要】：作为兴起于晚明时期的一种新型出版物,诗词画谱既融通了文学与绘画两个艺术门类,又集中呈现了晚明徽州书坊的刊刻技艺与审美取向。晚明诗词画谱的繁荣,以《诗馀画谱》为发端。本文以《诗馀画谱》为中心,考察以《诗馀画谱》为代表的诗词画谱在版式设计、出版意图、刊刻工艺等多个方面的创新,重点探讨其版刻图像与书法的"临仿"手段,以此窥见晚明徽州版刻的审美风尚与文化趣味。
[Abstract]:As a new publication rising in the late Ming Dynasty, the poetry and painting spectrum not only combines literature and painting, but also presents the art and aesthetic orientation of the Huizhou calligraphy Workshop in the late Ming Dynasty. The prosperity of poetry and painting in late Ming Dynasty began with Poems and paintings. This paper focuses on "Poems and paintings", investigates the innovations in typographic design, publishing intention, printing process and so on, and probes into the "imitating" means of its printing images and calligraphy. In this way, we can see the aesthetic style and cultural interest of the Huizhou edition in the late Ming Dynasty.
【作者单位】： 北京大学中文系;
【分类号】：G256
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本文编号：1786119