从审美趣味看收藏动机——以英国乔治亚时代肖像画在美国的收藏为例

发布时间：2018-06-11 14:16

  本文选题：庚斯博罗 + 艺术品交易　； 参考：《世界美术》2017年01期

【摘要】：正19世纪末20世纪初,美国出现了收藏英国乔治亚时代肖像画的热潮,【1】以摩根、【2】怀德纳、【3】弗里克、【4】梅隆、【5】亨廷顿【6】等人为代表的财富巨头们纷纷为此豪掷万金。1921年,《蓝衣少年》以72.88万美元的成交价格进入美国,(图1)破了当时国际艺术品交易的纪录,【7】标志着英国肖像画收藏热达到了巅峰。回顾这段历史,再看看如今乔治亚时代肖像画在学术界的暗淡地位,人们不禁要问:是什么造成了当年如
[Abstract]:At the end of the 19th century and the beginning of the 20th century, the United States saw a boom in collecting British Georgian portraits. [1] to Morgan, [2] Wydner, [3] Frick, [4] Mellon, [5] Huntington et al. [6] the wealth giants represented by Huntington [6] threw huge sums of money. In 1921, the Blue Boy entered the United States at a price of $728800 (figure 1) and broke the record for the international art trade at that time. [7] marked the peak of the British portrait collection. Looking back at this period of history, and then looking at the bleak status of modern Georgian portraits in academia, one can't help asking: what caused such a thing?
【作者单位】： 中国国家图书馆;
【分类号】：G894
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本文编号：2005563