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从馆藏文物中刘海蟾形象变化看道教的世俗化倾向

发布时间:2018-12-20 07:54
【摘要】:刘海蟾是生活于五代末期的著名道士,他年少登科,官居相位,后受正阳子点化,遁迹于终南山下,后得道飞升,被道教全真派奉为"五祖"之一。其最初在绘画中多以蓬头的中年男子形象出现,而到了明代中期以后其形象多被塑造成孩童,清代以后其民间形象在童子的基础上变得更加夸张生动,具有鲜明的时代特征和民俗气息。本文旨在通过刘海蟾形象变化的个案分析,研究自宋代以来道教的世俗化倾向和儒、释、道三教融合发展的趋势。
[Abstract]:Liu Haizan is a famous Taoist who lived in the end of five dynasties. He was young, in the official phase, later by Zhengyang son, then disappeared under the Zhongnanshan, and then got the rise of Taoism. He was regarded as one of the "five ancestors" by the Taoist Quanzhen School. At first, it appeared as a middle-aged man with a head in painting, but after the middle of Ming Dynasty, its image was mostly shaped as a child. After the Qing Dynasty, its folk image became more exaggerated and vivid on the basis of the child. Has the distinct time characteristic and the folk custom breath. The purpose of this paper is to study the tendency of Taoism secularization and the trend of integration of Confucianism, Buddhism and Taoism through the case study of the image changes of Liu Hai Xue.
【作者单位】: 天水市博物馆;
【分类号】:G894;B959.9

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