智慧博物馆视阈下南京博物院的受众体验研究
发布时间：2019-02-13 12:41
【摘要】：随着经济的快速发展和人们生活水平的提高,人们的精神文化需求日益增长,对公共文化服务提出了更高的要求。同时,高科技的飞速发展也为实现更高质量、更人性化的文化服务提供了可能。博物院作为公共文化服务的重要组成部分,经历了传统博物馆、数字博物馆的发展阶段,如今正处于智慧博物馆发展时期。智慧博物馆是在传统博物馆、数字博物馆的基础上发展起来的,是科学技术推动和促进的结果。它充分利用虚拟现实技术、物联网、云计算和大数据技术,以多模态感知“数据”替代数字博物馆的集中式静态采集“数字”。简单来讲,我们可以将智慧博物馆简化理解为:智慧博物馆=数字博物馆+物联网+云计算。智慧博物馆的核心就是以人为本,建立一系列服务用户、优化用户体验的智慧服务。不管是在受众获得博物馆信息方面,还是在受众参观体验实体博物馆方面,从了解博物馆到参观、体验博物馆,再到体验后的分享与交流方面,智慧博物馆都整合了博物馆资源,利用先进的技术手段,让受众能够自我选择、组织自己的博物馆体验。本文从智慧博物馆的核心——人为切入点,打破传统对智慧博物馆的研究,以受众体验为研究点,选取南京博物院为研究对象,调研南京博物院受众体验情况。将受众体验的形成因素归纳为感受、情感、理解、联想、领悟等诸多心理成分,将其形成过程梳理为:受众直观感受促使情感产生;情感促进受众理解与联想;进而产生领悟与意义。且将博物馆受众体验分为感官体验、娱乐体验、审美体验和文化体验,四者存在层层递进和共生促进的关系。以受众体验的形成过程、分类及相互关系为理论研究基础,对比分析了南京博物院不同阶段的受众体验情况,并根据实地的考察与调研,发现目前南京博物院的受众体验存在一些较大的缺口,如交互设备不够丰富,受众参与感和互动感不强;对虚拟现实技术的运用较少;较多电子设备缺乏维护,影响受众体验等问题。参考借鉴了卢浮宫、成都金沙遗址馆、大都会艺术博物馆、苏州博物馆在智慧化建设中的突出点,从而为南京博物院优化受众体验提出了建设性意见。在导览系统建设、传播与分享系统建设、展品展陈系统建设、互动体验系统建设等各方面都提出了优化方案,以期南京博物院在智慧化建设上尤其智慧服务上进一步完善、加强。最后,文章结尾对未来我国智慧博物馆建设作出了展望与思考。
[Abstract]:With the rapid development of economy and the improvement of people's living standard, people's spiritual and cultural needs are increasing day by day, which puts forward higher requirements for public cultural services. At the same time, the rapid development of high-tech also provides the possibility to achieve higher quality and more humanized cultural service. As an important part of public cultural service, Museum has experienced the development stage of traditional museum and digital museum, and is now in the developing period of Museum of Wisdom. The Museum of Wisdom is developed on the basis of traditional museum and digital museum, and is the result of science and technology. It makes full use of virtual reality technology, Internet of things, cloud computing and big data technology to replace the centralized static collection of digital "with multi-mode perceptual" data ". In short, we can simplify the wisdom museum as: the Museum of Wisdom = the Digital Museum of things cloud computing. The core of the Museum of Wisdom is to build a series of intelligent services that serve users and optimize their experience. Whether in terms of the audience's access to museum information, or the audience's visit to the physical museum, from understanding the museum to visiting, experiencing the museum, and then sharing and communicating after the experience, Intelligent museums integrate museum resources and make use of advanced technical means to enable the audience to choose and organize their own museum experience. From the point of view of the core of the Museum of Wisdom, the author breaks the traditional research on the Museum of Wisdom, takes the audience experience as the research point, selects Nanjing Museum as the object of study, and investigates the situation of the audience experience of Nanjing Museum. The forming factors of audience experience are summed up as feeling, emotion, understanding, association, comprehension and many other psychological elements. The forming process is sorted out as follows: audience's intuitive feeling promotes emotion, emotion promotes audience's understanding and association, and so on. Then comes into being comprehension and meaning. And the museum audience experience is divided into sensory experience, entertainment experience, aesthetic experience and cultural experience. Based on the forming process, classification and interrelation of the audience experience, this paper compares and analyzes the experience of the audience in different stages of Nanjing Museum, and according to the field investigation and investigation, It is found that there are some big gaps in the audience experience of Nanjing Museum at present, such as insufficient interactive equipment, weak sense of audience participation and interaction; The use of virtual reality technology is less, more electronic devices lack of maintenance, affect the audience experience and other problems. Reference is made to the prominent points of the Louvre Museum, the Jinsha ruins Museum of Chengdu, the Metropolitan Museum of Art and the Suzhou Museum in the construction of wisdom, thus providing constructive suggestions for the Nanjing Museum to optimize its audience experience. In the construction of navigation system, communication and sharing system, exhibition and exhibition system, interactive experience system construction and so on, the author has put forward the optimization scheme, in order to further improve the Nanjing Museum in the construction of wisdom, especially in the intelligent service. Strengthen. At the end of the article, the future construction of the Museum of Wisdom in China is prospected and considered.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：G260.7
[Abstract]:With the rapid development of economy and the improvement of people's living standard, people's spiritual and cultural needs are increasing day by day, which puts forward higher requirements for public cultural services. At the same time, the rapid development of high-tech also provides the possibility to achieve higher quality and more humanized cultural service. As an important part of public cultural service, Museum has experienced the development stage of traditional museum and digital museum, and is now in the developing period of Museum of Wisdom. The Museum of Wisdom is developed on the basis of traditional museum and digital museum, and is the result of science and technology. It makes full use of virtual reality technology, Internet of things, cloud computing and big data technology to replace the centralized static collection of digital "with multi-mode perceptual" data ". In short, we can simplify the wisdom museum as: the Museum of Wisdom = the Digital Museum of things cloud computing. The core of the Museum of Wisdom is to build a series of intelligent services that serve users and optimize their experience. Whether in terms of the audience's access to museum information, or the audience's visit to the physical museum, from understanding the museum to visiting, experiencing the museum, and then sharing and communicating after the experience, Intelligent museums integrate museum resources and make use of advanced technical means to enable the audience to choose and organize their own museum experience. From the point of view of the core of the Museum of Wisdom, the author breaks the traditional research on the Museum of Wisdom, takes the audience experience as the research point, selects Nanjing Museum as the object of study, and investigates the situation of the audience experience of Nanjing Museum. The forming factors of audience experience are summed up as feeling, emotion, understanding, association, comprehension and many other psychological elements. The forming process is sorted out as follows: audience's intuitive feeling promotes emotion, emotion promotes audience's understanding and association, and so on. Then comes into being comprehension and meaning. And the museum audience experience is divided into sensory experience, entertainment experience, aesthetic experience and cultural experience. Based on the forming process, classification and interrelation of the audience experience, this paper compares and analyzes the experience of the audience in different stages of Nanjing Museum, and according to the field investigation and investigation, It is found that there are some big gaps in the audience experience of Nanjing Museum at present, such as insufficient interactive equipment, weak sense of audience participation and interaction; The use of virtual reality technology is less, more electronic devices lack of maintenance, affect the audience experience and other problems. Reference is made to the prominent points of the Louvre Museum, the Jinsha ruins Museum of Chengdu, the Metropolitan Museum of Art and the Suzhou Museum in the construction of wisdom, thus providing constructive suggestions for the Nanjing Museum to optimize its audience experience. In the construction of navigation system, communication and sharing system, exhibition and exhibition system, interactive experience system construction and so on, the author has put forward the optimization scheme, in order to further improve the Nanjing Museum in the construction of wisdom, especially in the intelligent service. Strengthen. At the end of the article, the future construction of the Museum of Wisdom in China is prospected and considered.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：G260.7
【参考文献】
相关期刊论文 前10条
1 张利新;李海荣;;基于物联网和云计算的智慧博物馆建设[J];信息与电脑(理论版);2016年20期
2 徐慧;沈怡丽;陆星良;王丽;;文化创意视角下博物馆文化历史价值活化研究——以南京博物院为例[J];产业与科技论坛;2016年16期
3 陈昕;;浅谈“智慧博物馆”概念的博物馆与观众互动[J];科技风;2016年14期
4 龚稼琦;;基于历史建筑改扩建的博物馆设计方法——以南京博物院二期工程为例[J];建筑与文化;2016年07期
5 周高飞;;浅谈可穿戴式智能设备对博物馆参观的影响[J];科技展望;2016年18期
6 马江丽;;浅析智慧博物馆的智慧内核和理念导向[J];福建文博;2016年02期
7 王美诗;;话语视角下的非遗活态展览——以南京博物院非物质文化遗产馆为例[J];文化遗产;2016年03期
8 给拉巴干;;现代博物馆智慧化科技建设的思考[J];黑龙江科技信息;2016年12期
9 李双江;;实体博物馆与虚拟博物馆融合发展:智慧博物馆[J];科教导刊(上旬刊);2015年12期
10 李岩;;现代多媒体展示研究——从南京博物院看现代多媒体的实践与发展[J];美术教育研究;2015年24期
相关硕士学位论文 前2条
1 穆，
本文编号：2421557
本文链接：https://www.wllwen.com/tushudanganlunwen/2421557.html
