莫言的硕士论文与高密东北乡文学王国

发布时间：2018-02-25 01:22

本文关键词： 莫言故乡血地高密东北乡经验与体验　出处：《北京师范大学学报(社会科学版)》2013年05期 　论文类型：期刊论文

【摘要】：莫言创作的成功在于他早在1994年的硕士论文中就提出了要建立"高密东北乡"文学王国的理想。他的硕士论文提出了文学创作应源于故乡又超越故乡的论点。他的故乡是"血地"说,比李贽的"童心"说,海明威的"摇篮"说和康·巴乌斯托夫斯基的"馈赠"说,更深刻地阐述了故乡的体验对文学创作的意义,更富有感情的意涵。他的创作实践围绕着他想建立的"高密东北乡"文学王国展开,他不认为写故乡就是复制故乡,而要经过梦幻般的文学处理,要超越故乡,从特殊提升到普遍,写出人性、人情,这样才能与全国的读者和世界的读者的心息息相通。莫言获得诺贝尔文学奖实至名归。莫言论文和创作实践给作家们以深刻的启示:创作要有自己的领地、童年经验与童年体验的区别;作家要社会化,又要社会化阻滞;童年体验基本上是心理印象,它的历时性特点使它成为作家取之不竭的生活源泉。
[Abstract]:The success of Mo Yan's creation lies in the fact that he put forward the ideal of establishing the literary kingdom of "Gaomi Northeast Township" as early as in his master's thesis in 1994. His master's thesis put forward the argument that literary creation should originate from and transcend the hometown. His hometown is the "blood land". Than Li Zhi's "childlike heart", Hemingway's "cradle" theory and Kang Bhaustovsky's "gift" theory, the meaning of the experience of his hometown to literary creation is more deeply expounded. His creative practice revolved around the literary kingdom of "Gaomi Northeast Township," which he wanted to build. He did not think that writing about his hometown was a reproduction of his hometown, but rather had to go through a fantastic literary process to transcend it. From special promotion to universal, write human nature, human feelings, Only in this way can the hearts of readers throughout the country and those of the world be closely linked. Mo Yan deserved the Nobel Prize for Literature. Mo Yan's thesis and creative practice gave writers profound inspiration: creation must have its own territory. The difference between the childhood experience and the childhood experience; the writer wants to socialize, but also the socialization block; the childhood experience is basically the psychological impression, its diachronic characteristic makes it become the writer's inexhaustible source of life.
【作者单位】：北京师范大学文艺学研究中心;
【分类号】：I207.42

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