泥片成型陶艺雕塑创作谈

发布时间：2018-02-11 14:33

本文关键词： 泥片成型艺术表现形式语言思想情感　出处：《艺术品鉴》2015年10期 　论文类型：期刊论文

【摘要】：中国陶瓷雕塑有着久远的历史,有原始质朴的陶塑,雄壮宏伟、气势惊人的兵马俑,有古朴沉着、优美生动的汉代陶俑,有典雅灵动、雍容华贵的唐三彩,这些古代陶瓷雕塑使用非纯写实的表现手法,经过主观概括提炼,造型气韵生动,具有一定的"程式化"。其功能服务于两大基本需要,即宗教信仰和丧葬,大部分表现为陶俑的形式。到明清时代集中体现表现在建筑装饰和小型工艺性雕塑。二十世纪之后西方雕塑传入中国,雕塑逐步完善成为一门独立的艺术学科,开始对现代新形势的探索。期间经历了解放前对欧洲写实艺术的移植,解放后对苏联现实主义艺术的模仿,以及改革开放对西方现代主义、后现代主义的演练和当下以学院派为主的探索实践。作为具有特殊材料特点的陶瓷雕塑步入当代,打破了中国传统雕塑的创作理念,以凸显创作者手的痕迹,强化泥土语言,以一种开放性、多元化的陶瓷创作和审美标准慢慢确立,古老的陶瓷艺术与当代艺术融为一体。
[Abstract]:Chinese ceramic sculptures have a long history of primitive pottery sculptures, magnificent and magnificent terracotta warriors and horses, ancient, calm, beautiful and vivid pottery figures of the Han Dynasty, elegant and intelligent, elegant and magnificent three colors of the Tang Dynasty. These ancient ceramic sculptures used non-pure realistic expression techniques, were abstracted by subjective generalization, with vivid shapes, and had a certain "stylization". Their functions served two basic needs, namely, religious beliefs and funerals. Most of them were in the form of terracotta warriors. By the time of Ming and Qing dynasties, they were mainly embodied in architectural decoration and small craft sculptures. After 20th century, Western sculptures were introduced into China, and sculpture gradually became an independent art discipline. Began to explore the new modern situation. During the period experienced before the liberation of European realistic art transplantation, post-liberation imitation of Soviet realism art, as well as the reform and opening up to Western modernism, As a ceramic sculpture with special material characteristics, it has broken the creative idea of Chinese traditional sculpture, in order to highlight the traces of creators and strengthen the earth language. With an open, diversified ceramic creation and aesthetic standards slowly established, the ancient ceramic art and contemporary art as a whole.
【作者单位】：南京师范大学美术学院;
【分类号】：J314.8

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