气韵生动与当代陶瓷雕塑创作

发布时间：2018-02-11 21:44

本文关键词： 气韵生动陶瓷雕塑艺术精神审美　出处：《景德镇陶瓷学院》2011年硕士论文　论文类型：学位论文

【摘要】：陶瓷雕塑作为中华民族陶瓷艺术的重要组成部分,在改革开放的时代背景下,传承传统陶瓷雕塑的精华,创作出一批优秀的艺术作品。但由于西方现代艺术思潮的冲击及中国的工业化、市场化、现代化,中国传统思想文化和艺术精神不断遭到消解,当代陶瓷雕塑艺术家找不到中华民族艺术精神的根基所在,迷失了作为本土陶艺家的价值取向和艺术追求。民族精神是一个民族继续发展的精神动力。中华民族的艺术精神是中华民族精神的重要组成部分,我们只有继承和发扬中华民族的艺术精神,才能创作出具有自己的精神风貌和民族特色的艺术作品。中华民族的文化观念和艺术精神有其自我传承性,不管时代语境如何发生变迁,其精髓却一脉相承。气韵生动是中华民族艺术精神的最高追求,在古代的陶瓷雕塑身上都得到充分的体现,在当代依然有着很强的生命力,仍然是当今陶瓷雕塑艺术家所追求和所推崇的。当代陶瓷雕塑艺术家创作时吸取和运用气韵生动的思想资源和艺术精神,主要有三个方面:一是形而上的审美追求;二是意象性的思维创新;三是表现力的功力训练,从而在新的时代赋予陶瓷雕塑以新的表现形式和生命力,创作出富有时代精神和民族特色的艺术精品,让中华民族的陶瓷雕塑树立起本土化的艺术风格,为发展和弘扬中华民族的文化和艺术贡献出自己的力量。
[Abstract]:As an important part of Chinese ceramic art, ceramic sculpture inherits the essence of traditional ceramic sculpture under the background of reform and opening up. But due to the impact of the western modern art trend and the industrialization, marketization and modernization of China, the traditional Chinese ideology, culture and artistic spirit have been constantly dispelled. Contemporary ceramic sculpture artists cannot find the foundation of the Chinese nation's artistic spirit. Lost as a native ceramic artist's value orientation and artistic pursuit. The national spirit is the spiritual power of a nation's continued development. The artistic spirit of the Chinese nation is an important part of the Chinese national spirit. Only by inheriting and carrying forward the artistic spirit of the Chinese nation can we create works of art with our own spiritual features and national characteristics. No matter how the context of the times changes, its essence is in the same vein. Vitality and vividness are the highest pursuit of the Chinese nation's artistic spirit. They are fully embodied in ancient ceramic sculptures and still have strong vitality in contemporary times. It is still the pursuit and esteem of the ceramic sculpture artists nowadays. The contemporary ceramic sculpture artists absorb and use vivid ideological resources and artistic spirit in their creation, mainly in three aspects: first, metaphysical aesthetic pursuit; The second is the creative thinking of imagery, the third is the training of expressive power, so that ceramic sculpture can be endowed with new forms of expression and vitality in the new era, thus creating fine works of art with the spirit of the times and national characteristics. The ceramic sculpture of the Chinese nation should set up its own artistic style and contribute its own strength to the development and development of Chinese culture and art.
【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J314.8

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