浅谈贾科梅蒂雕塑的空间外延

发布时间：2018-02-27 08:11

本文关键词： 雕塑空间贾科梅蒂空间拓展　出处：《中央美术学院》2017年硕士论文　论文类型：学位论文

【摘要】：在漫长的西方美术历史长河当中,雕塑艺术一直以来都是其中重要的一部。雕塑是形体的艺术也是空间的艺术,首先,空间是一种客观存在的,它先于一切,人类对空间的认识却是一个漫长的过程,从下意识的感知到自觉的体知。一直以来空间作为西方雕塑的主要探索语言之一。从文艺复兴到罗丹,还可以追溯的更远,以神话宗教题材生成的雕塑艺术,是以形态为主而生发的空间。雕塑空间概念——空间是位置、距离。就一件雕塑作品而言,雕塑的表面暨是空间。在罗丹之前雕塑空间的形态,朝向与大小是由雕塑自身的形体决定的,形体主导空间。空间与形体对于雕塑的作用此消彼长、融合转换是罗丹以来现代雕塑的一大特质。从雕塑自身空间到围合空间,现代雕塑开启了对空间的再审视,空间从自身形体脱离出来,扩大了形体的维度。雕塑空间的独立可视为雕塑形式语言乃至艺术观念的纯化过程。而贾科梅蒂雕塑再造了空间(大空间)与型的关系,也可以说贾科梅蒂雕塑释放了空间,他消瘦的型是人的空间而不是人体。在贾科梅蒂完成这一构建之前,对空间的表达经历了抽象空间与象征性空间的过程,在这一过程贾科梅蒂完成了形态抽离,与空间独立的探索。雕塑空间从自身的型体的真实空间开始越发的独立与延伸,现代雕塑对空间的表达,并没有止步于对空间的切割摆弄上。贾科梅蒂以极端的消解压缩雕塑自身空间,来调动雕塑以外更大的空间成为作品的一部——雕塑空间的拓展。
[Abstract]:In the long history of Western art, sculpture art has always been an important part of it. Sculpture is the art of form as well as the art of space. First of all, space is an objective existence, and it precedes everything. Human beings' understanding of space is a long process, from subconscious perception to conscious physical knowledge. Space has been one of the main exploration languages of Western sculpture. From the Renaissance to Rodin, it can be traced further. Sculpture art generated from mythology and religion is the space where form is dominant. The concept of sculpture space-space is position, distance. In the case of a sculpture work, the surface and surface of sculpture is space. The form of sculpture space before Rodin. Orientation and size are determined by the shape of the sculpture itself, and the shape dominates the space. The function of space and form on the sculpture grows and wanes. Fusion and transformation is a major characteristic of modern sculpture since Rodin. From the sculpture's own space to the enclosed space, Modern sculpture opens up a re-examination of space, which is separated from its own form. The independence of sculpture space can be regarded as the purification process of sculpture form language and even artistic concept. While Giacometti sculpture recreates the relationship between space (large space) and type, it can also be said that Giacometti sculpture has released space. His wasting form is human space, not human body. Before Giacometti completed this construction, the expression of space went through the process of abstract space and symbolic space, and in this process Giacometti completed the withdrawal of form. The space of sculpture begins to be more independent and extended from the real space of its own body, and the expression of modern sculpture to space, Giacometti uses extreme elimination to compress the sculpture's own space, to mobilize the larger space beyond the sculpture to become a part of the work-the expansion of the sculpture space.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J305

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