论雕塑美学法则的地域性—及对我雕塑创作的启示

发布时间：2018-03-11 19:06

本文选题：“美学法则”和“地域性”两个概念　切入点：　出处：《湖北美术学院》2017年硕士论文　论文类型：学位论文

【摘要】：中西方雕塑经过了几千年的发展形成了各自不同的造型法则和美学标准,并在各自的文化传统主导下继承、发展和演变。西方雕塑传达的是一种标准的、具象的、张扬的造型特质,造型多是以解剖、比例、透视等科学为造型标准。贯穿于东方雕塑的是意象的、概括的、超越本体的文化内涵,整体渗透着一种含蓄的美。自16世纪西方的艺术教育思想在国内各大院校蔓延,比例、结构、透视等造型法则成为教学的主要课程。西方美学准则和造型方法几乎取代了中国几千年的美学法则,我们年轻的一代在这样尴尬的环境下该如何继续自己的创作。着眼于中西方雕塑美学融合的背景下,我创作了作品《天边那朵云》,希望通过作品阐述我的观点。我认为:第一,二十一世纪应该改变思维模式,更新观念意识;我们要用新的思维模式观察客观事物,实现跨越性的立体思维模式;第二,意象要与具象相融合。在创作中,我并没有完全按照西方标准的造型法则加以套用,也没有照搬中国意象美学,而是将两者融合在一起;第三,本土与外来文化相融合,保证雕塑创作的个性化。艺术的综合并不是简单概念上的融合,要对西方文化采取宽容的态度进行消化吸收,对本民族文化进行重新认识和评定,最终呼吁雕塑创作回归“东方美学”。
[Abstract]:After thousands of years of development, Chinese and Western sculptures have formed their own different modeling principles and aesthetic standards, and they have inherited, developed and evolved under the guidance of their respective cultural traditions. Western sculptures convey a standard and concrete form. Most of the styling characteristics of publicity are based on the science of anatomy, proportion, perspective and so on. What runs through the Oriental sculpture is the image, the generalization, and the cultural connotation that transcends the Noumenon. The whole permeates with a kind of implicit beauty. Since 16th century, the western art education thought has spread, proportion and structure in all the major colleges and universities in China. The principles of modeling, such as perspective, have become the main courses in teaching. Western aesthetic norms and modeling methods have almost replaced the aesthetic principles of China for thousands of years. How should our young generation continue their work in such an awkward environment? in the context of the aesthetic fusion of sculpture between China and the West, I created my work "the Cloud in the Sky" in the hope of expounding my point of view through the work. I think: first, In 21th century, we should change the mode of thinking and renew our conceptual consciousness; we should use the new mode of thinking to observe the objective things and realize the three-dimensional thinking mode of leapfrogging; second, the image should be combined with the concrete. I did not apply it entirely according to the Western standard modeling rules, nor did I copy Chinese image aesthetics, but I merged the two together; third, local and foreign cultures converged. To ensure the individuation of sculpture creation, the synthesis of art is not the integration of simple concepts. We should take a tolerant attitude towards western culture, digest and absorb it, and re-understand and evaluate our national culture. Finally, it calls for sculpture creation to return to Oriental Aesthetics.
【学位授予单位】：湖北美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J301

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