安岳石刻宝冠造型艺术研究

发布时间：2018-03-13 02:11

本文选题：安岳石刻　切入点：冠饰研究　出处：《青岛科技大学》2017年硕士论文　论文类型：学位论文

【摘要】：佛教艺术是人类重要的文化资产之一,当我们谈起中国古代的石窟艺术时,敦煌石窟、大同云冈石窟、洛阳龙门石窟、重庆大足石窟,其早已蜚声海内外。四川省文物部门自1982年开始对安岳县内的石窟进行普查,清理出约十万尊石刻造像,县内每个乡镇几乎都有较大的石窟群,由此,安岳石刻从默默无闻佛教造像遗珠瞬间散发出璀璨的光芒。安岳石刻造像千姿百态,他们或为巍峨屹立在山间,或静谧盘坐于窟中,或安静侧卧于河畔;他们的造型有的肃穆清癯,有的安静祥和,有的雄浑古拙,与山水相容宛如陈列在自然中的博物馆。雍容祥和的佛、菩萨造型是安岳石刻的一大特色,每一尊宝冠雕刻唯美细腻、造型独特,透露出独特的时代的审美风尚,这些精美宝冠的雕刻又使我们看出当时人们对信仰的追求与崇拜。本文的主要研究对象为安岳石刻中的精美的宝冠雕刻艺术,笔者深入当地村镇以实地考察为基础,选择有明确纪年且保存较好的实例作为本文切入点。首先,从政治历史、宗教文化、自然地理等方面分析安岳石刻宝冠雕刻形成背景。其次,以美术考古与美术史样式相结合的研究方法,对安岳石刻中的佛、菩萨宝冠进行系统梳理和样式考察,旨在总结出安岳石刻中宝冠雕刻一般规律性认识并尽可能揭示其中蕴藏的深层文化内涵,将宝冠形态详细划分为四种类型:筒形冠、扇形冠、博鬓冠和头巾式,探各种其宝冠样式产生的原因背景。第三,针对不同时期造像特点对宝冠装饰纹样进行分类,将其分为植物纹样与佛教装饰元素等四大类,阐释其产生原因及蕴含的宗教意义。第四,将安岳石刻哦宝冠造型与大足石刻宝冠相对比,从造像题材、装饰元素方面对两地宝冠造型的异同进行分析,进一步阐释安岳风格对大足石刻宝冠雕刻风格的影响。最后,从冠饰整体造型结合图像学方法分析安岳石刻宝冠所表现的精湛工艺,以及地域化、世俗化的审美意蕴,力图对安岳石刻中分散且数量庞大的石刻造像风格有新的认识。安岳石刻造像盛行于中于唐宋时期,宝冠整体风格细腻繁华,从这些精美绝伦的宝冠造型中,我们可以窥见安岳石刻的发展轨迹,以及造像风格从简到繁、由粗到精的变化。安岳石刻宝冠的独特魅力,是印度佛教艺术和中西部石窟造像所无法比拟的。在宝冠雕刻诸多涵义日渐消失的今天,通过对安岳石刻宝冠的研究与整理,也让我们对古代佛教造像中的服饰文化多一份理解与热爱。
[Abstract]:Buddhist art is one of the most important cultural assets of mankind. When we talk about ancient Chinese grottoes, Dunhuang grottoes, Yungang grottoes in Datong, Longmen grottoes in Luoyang and Dazu grottoes in Chongqing. It has long been famous at home and abroad. Since 1982, the Sichuan Provincial Department of Cultural relics has conducted a general survey of the grottoes in Anyue County, clearing out about 100,000 stone carvings. Almost every township in the county has a larger group of grottoes, and as a result, Anyue stone carvings from the unknown Buddhist statues of the bead exudes a bright light. Anyue stone statues in various forms, they either stand tall in the mountains, or quiet plate sitting in the grottoes, or quietly lying side in the riverside; Some of their shapes are solemn and thin, some are quiet and peaceful, some are vigorous and ancient clumsy, and they are compatible with mountains and rivers like museums on display in nature. The graceful and peaceful Buddha and bodhisattva shape are a major feature of Anyue stone carvings. Each treasure crown carving beautiful delicate, unique shape, revealing a unique era of aesthetic fashion, The sculptures of these exquisite treasure crowns make us see the pursuit and worship of faith at that time. The main research object of this paper is the fine carving art of treasure crowns in Anyue stone carvings. The author goes deep into the local villages and towns on the basis of field investigation. First of all, from the political history, religious culture, natural geography and other aspects of Anyue stone carving crown carving background analysis. With the method of combining art archaeology with art history style, this paper systematically combs the Buddha and Bodhisattva treasure crown in Anyue stone carvings, and investigates the style of the Buddha and bodhisattva treasure crown in Anyue stone carvings. The aim of this paper is to summarize the general regularity of treasure crown carving in Anyue stone carvings and to reveal as much as possible the deep cultural connotation contained therein, and to divide the shape of treasure crown into four types in detail: cylindrical crown, fan crown, temples crown and headscarf type. Third, according to the characteristics of different periods, the decorative patterns of the treasure crown are classified into four categories: plant patterns and Buddhist decorative elements. Explain its causes and religious significance. 4th, compare the modeling of Anyue stone carving with that of Dazu stone carvings, and analyze the similarities and differences between the models of the two places from the aspects of sculpture subject matter and decorative elements. It further explains the influence of Anyue's style on the carving style of Dazu stone carving crown. Finally, it analyzes the exquisite craft of Anyue stone engraving crown, as well as its regional and worldly aesthetic implication, from the overall modeling of the crown with the method of image science. Trying to have a new understanding of the scattered and large number of stone sculptures in Anyue stone carvings. The stone carvings of Anyue prevailed in the Tang and Song dynasties, and the overall style of the treasure crown was exquisite and prosperous. We can see the development track of Anyue stone carving, and the change of image style from simplicity to complexity, from coarse to fine. The unique charm of Anyue stone carving treasure crown, The Buddhist art of India and the statues of the central and western grottoes are unparalleled. In today's time when many meanings of the carving of the treasure crown are disappearing, through the study and arrangement of the treasure crown of Anyue stone carvings, Let us also understand and love the costume culture in ancient Buddhist statues.
【学位授予单位】：青岛科技大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J314.3

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