材料雕塑创作之我见

发布时间：2018-03-17 15:38

本文选题：雕塑语言　切入点：形式感　出处：《东北师范大学》2010年硕士论文　论文类型：学位论文

【摘要】： 伴随着科技的高速发展,在人们生活水平日益提高的同时,大量形形色色的雕塑充斥着我们的眼球,影响着我们的生活。然而在形式多样,风格各异的雕塑中,我们更应该清晰地认识什么样式水平高的雕塑。现代感的雕塑选用材料亮丽新颖,材料容易找到,典型代表时代的语言。未来题材的选择偏重于简洁透明,反光等材料。这样未来感强,把读者引领到一个时空空间,激发读者想象。除了材料的选择,审美标准一定要有提升,不仅提升读者审美标准,而且对作者来讲提出了更高的要求。怎样满足读者的求知欲望,这需要我们在实践中多积累经验,展开想象。材料雕塑时以纯粹的形式,形态,材料为艺术语言,他不想电影,电视,戏剧那样给观众充分的时间展示空间环境的真实完整的细节或情景,用表演表现的手法制造时间,空间,环境气氛把作者思想传达给观众,我们材料雕塑像做到这一点太难了,我们不肯恩吧要表达的一切搬到雕塑中来,去模仿生活,我们只能通过一些带有隐寓或者比喻的手法让观众想象空间,可能我们眼睛没看到,不过通过眼睛能让观众联想空间的存在,这种隐寓行时通过观众的纯精神活动作用产生的,他对作品的要求就是移除所有斑驳,浮华的装饰,提炼概括的手法,简单流畅的造型,深有静邃的空间感,不拘泥于细节的琐碎,主动关注大形体与形式语言,从而达到不破坏雕塑主题方向的导向作用,内容深藏于观众联系和探索的问题核心和能给观众带来的求知欲望,能让观众伴随雕塑的情绪跌宕起伏,结合实际感受,观众会对雕塑有个结论性的评价。物之因素中我们主要理解材料是有生命的,材料是创作的载体,同时也是艺术家创作灵感的来源,尊重材料就是尊重自己,相信材料的生命性,这样我们才能与材料对话,达成共识,如何做到以上呢,我们首先要做的就是对材料进行全方位的分析整理,以便于我们队材料有更深入的了解和认知,在此我们不能对每个材料依依进行剖析,只能根据材料共有的属性进行综合解释,以及在具体实施创作过程中材料属性说起到的作用进行讲解,针对世界上的物质,我们都知道他们都有一个具体的外部形态,内不精神意识和经过实践推移它们都会有变化,所以所有的材料分类为四大属性,这便是,材料的物理属性、化学属性、生理属性,功能属性。
[Abstract]:With the rapid development of science and technology, people's living standards are improving day by day, at the same time, a large number of sculptures of all kinds are filled with our eyeballs and affect our lives. However, in the various forms and styles of sculpture, We should know more clearly what kind of high-level sculpture. Modern sculptures choose materials that are bright and novel, which are easy to find, and which represent the language of the times. The choice of future themes is focused on materials such as simplicity, transparency, reflection, etc. So the sense of the future is strong, leading the reader to a space-time space. In addition to the choice of materials, the aesthetic standard must be upgraded, not only to enhance the reader's aesthetic standard, but also to raise higher requirements for the author. How to satisfy the reader's desire for knowledge, This needs us to accumulate more experience in practice, unfold imagination. When sculpting materials in pure form, form and material as artistic language, he does not want to give the audience enough time to display the real and complete details or scenes of the space environment like movies, television and drama, and to create time by performing performance. The space and the atmosphere convey the author's ideas to the audience. It's too hard for us to do this in our material sculptures. We don't want Ken to express everything into the sculpture to imitate life. We can only let the audience imagine space through some implicit or metaphorical means, maybe we don't see it with our eyes, but through our eyes, we can make the audience associate the existence of space, which is generated by the pure spiritual activity of the audience. His request for the work is to remove all mottled, flashy decorations, abstract and general techniques, simple and smooth modeling, deep stillness and deep sense of space, do not cling to the trivial details, and take the initiative to pay attention to the large form and the formal language. In order not to destroy the guiding role of the sculpture theme direction, the content is deeply embedded in the core of the problem of audience contact and exploration and the desire for knowledge that can bring to the audience, so that the audience can accompany the emotional ups and downs of the sculpture, combined with the actual feelings. The audience will have a conclusive assessment of the sculpture. Among other things, we mainly understand that materials are living, that materials are the carriers of creation, and that they are also the source of inspiration for artists. Respecting materials means respecting themselves, believing in the life of materials, so that we can have a dialogue with materials. To reach a consensus, how to do this? what we first have to do is to conduct a comprehensive analysis and arrangement of the materials so that our team can have a deeper understanding and understanding of the materials. Here, we cannot analyze each material on its own. We can only give a comprehensive explanation based on the properties shared by the material, and explain the role mentioned in the material attributes during the concrete implementation of the creative process. We all know that they all have a specific external form in view of the material in the world. There are changes in mental consciousness and through practice, so all materials are classified into four attributes: physical attributes, chemical attributes, physiological attributes, functional attributes.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J304

【共引文献】