拙中见巧——周国桢动物雕塑的艺术风格论

发布时间：2018-03-31 23:23

本文选题：周国桢　切入点：动物雕塑　出处：《景德镇陶瓷学院》2008年硕士论文

【摘要】： 中国动物雕塑的历史悠久而灿烂,而采用陶瓷这一特殊材质创作的动物陶瓷雕塑具有其独特的魅力。作为一名享有很高声誉的现代陶艺家、雕塑家,周国桢以其创作的一系列动物陶瓷雕塑而在中国现代陶艺史上占有一席之地。本文首先回顾了周国桢动物雕塑艺术风格形成的几个阶段。早期以人物雕塑为主,受著名动物雕塑家周轻鼎的影响后,掌握了动物雕塑的基本技法,对动物雕塑产生了浓厚的兴趣,开始创作动物雕塑并崭露头角,但并没有对动物雕塑进行深入的研究和探索。文革期间,周国桢受到了严重冲击和不公正的待遇,引发了他对人与人、人与社会的关系的一系列反思,从而真正走上了专攻动物雕塑的道路。此后,周国桢在陶艺的创作技法上进行了多种尝试,他率先试验高温颜色釉应用于动物雕塑的技法,首创了高温颜色釉与动物陶瓷雕塑的完美结合,打破了中国陶艺延续了上千年的传统。其后,在陶艺创作材料的研究上又不断创新和突破,又首创了缺陷肌理的艺术转化,将传统陶艺中视作严重缺陷的釉面开裂、起泡、结珠等特殊肌理效果,与动物雕塑完美结合。紧接着,受民间陶瓷艺人的启发,将泥条盘筑的这一古老而传统的工艺应用于动物陶瓷雕塑的创作,在中国陶瓷史上第一次将盘筑泥条从形体的附属中解放出来,使线条具备了独立的审美价值,开创了一种全新的陶艺语汇。他还将匣钵土一类的粗质材料,运用于动物雕塑的创作中,为之注入新的观念、新的表现手法,使之获得艺术的生命,大大突破了中国陶艺的传统,拓宽了陶瓷原料的应用范围。另外,他还研究了烧窑过程中,火焰效果对艺术品的重要影响。另外,本文深入分析了周国桢动物雕塑艺术人文品格的形成过程。第一代艺术教育家的影响和中国传统民间手工艺的滋养,文革的重创与改革开放的新生,博大宏伟的汉唐文化所带来的精神上的强烈震撼等,这些多重因素的作用,使得周国桢的动物雕塑形成了独特的东方现代人文品格,总的来说,可以用“拙中见巧”一词来加以概括。最后,本文回顾与反思了中国现代陶艺的发展历史,高度评价了周国桢对中国现代陶艺所做出的突出贡献及其在中国现代陶艺史上的重要地位。
[Abstract]:Chinese animal sculpture has a long history and brilliant history, and the animal ceramic sculpture created with ceramic as a special material has its unique charm. As a modern ceramic artist with a high reputation, the sculptor, the sculptor, Zhou Guozhen occupies a place in the history of Chinese modern ceramics with a series of animal ceramic sculptures. This paper first reviews several stages of the formation of Zhou Guozhen's artistic style of animal sculpture. After being influenced by the famous animal sculptor Zhou Guangding in the early years, he mastered the basic techniques of animal sculpture. Interested in animal sculptures, he began to create animal sculptures and made his mark, but he did not deeply study and explore animal sculptures. During the Cultural Revolution, Zhou Guozhen was seriously attacked and treated unjustly. This led to a series of reflections on the relationship between man and man, man and society, so that he really embarked on the road of specializing in animal sculpture. Since then, Zhou Guozhen has made many attempts in the creative techniques of pottery art. He took the lead in experimenting with the techniques used in animal sculptures by using high-temperature colored glazes. He pioneered the perfect combination of high-temperature colored glazes with animal ceramic sculptures, breaking the tradition of Chinese pottery that lasted for thousands of years. On the research of ceramic creation materials, he also innovated and broke through, and also created the artistic transformation of defective texture. The traditional pottery art was regarded as a special texture effect of serious defects such as glaze cracking, foaming, beading and so on. In addition, inspired by folk ceramic artists, the ancient and traditional technique of making clay strips and plates was applied to the creation of animal ceramics sculptures. For the first time in the history of Chinese ceramics, he liberated the plate building sliver from the attachment of the body, which made the lines have independent aesthetic value and created a brand new vocabulary of ceramic art. He also made coarse materials such as sagger soil. Applied to the creation of animal sculptures, new concepts and new performance techniques were injected into them, so that they gained artistic life, which greatly broke through the tradition of Chinese ceramic art and widened the scope of application of ceramic materials. He also studied the important effects of flame effects on art in the process of firing kilns. This paper deeply analyzes the forming process of Zhou Guozhen's animal sculpture art humanistic character, the influence of the first generation of art educator, the nourishment of Chinese traditional folk handicraft, the heavy blow of the Cultural Revolution and the new life of reform and opening up. The powerful spiritual shock brought about by the vast and magnificent Han and Tang culture, and so on. These multiple factors have made Zhou Guozhen's animal sculpture form a unique modern Oriental humanistic character. In general, Can be summed up with the word "in the case of Qiao". Finally, this paper reviews and reflects on the development history of Chinese modern ceramic art, and highly evaluates Zhou Guozhen's outstanding contribution to Chinese modern ceramic art and its important position in the history of Chinese modern pottery art.
【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J527

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