崇尚自然——生态语境下乌拉特红驼泥塑工艺探析

发布时间：2018-04-08 17:17

本文选题：乌拉特　切入点：“红驼”泥塑　出处：《装饰》2017年10期

【摘要】：内蒙古乌拉特红驼泥塑工艺匠心独具之处在于其取戈壁材料之精巧、展草原风貌之妙曼的同时,体现出对地域生态极大的顺从与皈依。因乌拉特"红驼"泥塑工艺具有鲜明的地域性与唯一性,笔者数次深入内蒙古巴彦淖尔市巴音宝力格镇进行相关的田野考察,对其工艺步骤进行了周详的调研与梳理,对其工艺特征进行了细致的分析与总结,旨在弘扬乌拉特泥塑艺术的同时揭示其工艺所蕴含的生态理念。
[Abstract]:The unique craftsmanship of the clay sculpture of the red camel in Wulat, Inner Mongolia, is that it takes the exquisite material of Gobi and develops the style and features of the prairie, at the same time, it embodies the great obedience and conversion to the regional ecology.Because of the distinct regional and uniqueness of the clay sculpture technology of "Red Camel" in Urat, the author went deep into Bayan Nur City, Inner Mongolia several times to carry on the related field investigation, and carried on the thorough investigation and the combing to its craft step.The characteristics of the process are analyzed and summarized in detail in order to carry forward the clay sculpture art of Ulat and to reveal the ecological concept contained in the process at the same time.
【作者单位】：清华大学美术学院;中国地质大学珠宝学院;
【分类号】：J314.7

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