当前位置:主页 > 文艺论文 > 雕塑论文 >

浮雕中的色彩运用

发布时间:2018-04-16 13:08

  本文选题:浮雕 + 色彩 ; 参考:《中国美术学院》2010年硕士论文


【摘要】: 雕塑的历史在很大程度上可以被看作石雕、木雕和铸铜雕塑的历史,它们以材质的特性及丰富的表现力而成为雕塑最适宜的材料,但其实雕塑中的“色彩”是一个长久以来被我们忽略的重要的表现因素。这个色彩包括雕塑本身的质感、肌理和色泽给人们视觉的直观感受,也包括另一种色彩,即雕塑表面的敷色。综观世界雕塑史,中西方都有过在雕塑表面大量敷色的阶段。 雕塑中的浮雕,兼有绘画的平面性和雕塑的实体空间性,又区别于平面造型与立体造型,是介于绘画和雕塑之间的一种独特的造型艺术形式,融合绘画与雕塑两者的表现优势。因此色彩在浮雕中的运用会使其更具表现力。历史上的各大文明古国,毫无例外的都有精彩的彩色浮雕珍品流传于世。文章通过对中外敷彩浮雕的回顾,再结合当代的敷彩浮雕实例和自己的创作实践,提出色彩与浮雕的材料、光线、营造的氛围等因素结合的运用。 文章证来“塑”与“绘”本就同属一脉,其理相通,相得益彰。浮雕创作与色彩运用结合,在继承传统的基础上也符合现代社会人们审美观和多元的精神需求。浮雕多元化是应时之需,也是必然,色彩就是这多元化中最直接也最迫切的一元。
[Abstract]:The history of sculpture can to a large extent be regarded as the history of stone sculptures, wood carvings and cast copper sculptures, which are the most suitable materials for sculpture because of their material properties and rich expressiveness.But in fact, the color in sculpture is an important factor that we have neglected for a long time.The color includes the texture, texture and color of the sculpture to give people visual perception, but also includes another kind of color, that is, the painting of the sculpture surface.Looking at the history of sculpture in the world, both China and the West have applied color on the surface of the sculpture.The relief in sculpture, which has both the plane of painting and the solid space of sculpture, is different from plane modeling and three-dimensional modeling. It is a unique plastic art form between painting and sculpture, which combines the advantages of painting and sculpture.So the use of color in relief will make it more expressive.In the history of ancient civilization, without exception, there are wonderful color relief treasures spread around the world.By reviewing the application of color relief in and out of the world, combining with the examples of contemporary embossed relief and their own creative practice, the paper puts forward the application of the combination of color and relief materials, light, atmosphere and so on.The article proves that "plastic" and "painting" belong to the same vein.The combination of relief creation and color application accords with modern people's aesthetic standards and diverse spiritual needs on the basis of inheriting tradition.Relief diversification is necessary and necessary. Color is the most direct and urgent one.
【学位授予单位】:中国美术学院
【学位级别】:硕士
【学位授予年份】:2010
【分类号】:J312.2

【参考文献】

相关期刊论文 前1条

1 刘怀英;;汉代绘画的色彩观[J];艺术百家;2008年03期



本文编号:1759039

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/diaosuzhuangshi/1759039.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户2f2a2***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com