马里尼《骑手》系列雕塑与中国西汉骑马俑之比较研究

发布时间：2018-04-16 18:27

本文选题：时代背景 + 表现手法　；参考：《鲁迅美术学院》2017年硕士论文

【摘要】：本文围绕意大利雕塑家马里诺·马里尼的“骑手”系列作品,与中国西汉时期马造型雕塑的异同的比较展开。生于二十世纪的马里尼生平经历坎坷,在三十年代开始创作的“骑手”系列中可以看出其对于当时世界状态的绝望与哀伤,观看他的作品我们能够感受到浓厚的悲观情绪,也能体会到深刻的人道主义精神。而汉代马文化深厚,西汉时期将马作为英雄与胜利的图腾,造型浑厚雄壮的石雕马,以及写意、饱满的陶俑形象,都是西汉历史无声的诉说者。出生于这个充满动乱战争的年代,使马里尼的成长经历并体验了众多充满苦难的历史时刻。他将这些独特的生活、成长经历以一种无比忧虑、哀伤的表达形式体现在作品中,与此同时也掺杂有对于生命美好的希望,对未来的期盼和对于生命价值的肯定。他的艺术基于这些复杂情感孕育而生。马里尼的艺术风格具有古朴的古典主义风格,与中国西汉时期的马形象造像具有类似的表现风格,因此,长达两千多年的时间跨度上,二者的相似点与差异引起了我的思考,这两种能够深深打动观者的不通时期的艺术是如何跨时代的联系到了一起?又是如何的有不同的两种极端式的情绪表现?本文中,运用先将二者分别论述,最后再加以比较的方式展开,首先我对马里尼和西汉马雕塑的所处时代背景进行比较,接下来分析二者的造型语言与形式,最后基于之前的比较分析其表现的精神与作品内涵的区别。
[Abstract]:This paper focuses on the Italian sculptor Marino Marini's "rider" series works, and the West Han Dynasty Chinese horse sculpture similarities and differences.Marini, born in the 20th century, experienced ups and downs in his life. In the "Rider" series, which began in the 1930s, one can see his despair and sadness about the state of the world at that time. We can feel a strong sense of pessimism when we look at his works.Also can experience the profound humanitarianism spirit.The Han Dynasty horse culture is profound, the Western Han Dynasty horse as a hero and victory totem, the shape of the magnificent stone horses, as well as freehand, full of pottery figures, are the history of the Western Han Dynasty silent narrator.Born in an era of tumultuous wars, Marini grew up and experienced many painful moments in history.He embodies these unique life and growth experiences in his works in the form of unparalleled anxiety and sadness, and at the same time he also mixes with the hope for life, the hope for the future and the affirmation of the value of life.His art is based on these complex emotions.Marini's artistic style has the simple classical style, and has the similar performance style with the horse image of the Western Han Dynasty in China. Therefore, for more than 2000 years, the similarities and differences between the two have aroused my thinking.These two kinds of art which can deeply move the viewer is how the cross-epoch art is linked together?And how are there two extremes of emotional performance?In this paper, I use the method of discussing the two first and then comparing them. First, I compare the background of Marini and the horse sculpture of the West Han Dynasty, and then analyze the modeling language and form of the two sculptures.Finally, based on the previous comparative analysis of the spirit of its performance and the connotation of the difference.
【学位授予单位】：鲁迅美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J305

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