西安地区唐墓壁画与雕塑女像艺术研究

发布时间：2018-04-19 03:29

本文选题：西安地区 + 唐墓女像　；参考：《山东大学》2007年硕士论文

【摘要】： 女像是唐陵墓装饰的重要组成部分，随着大量唐墓壁画、陶俑、石刻的出土，女像资料也被揭露出来，西安地区发现的数量尤其多，而且大多具有很高的艺术水准。目前学术界对唐墓人物造型艺术比较关注，但对女像的集中研究还较少，而且往往将以上三类女像分开来论述：在研究壁画女像时，多关注绘画技巧、流派传承等方面内容，做美术史研究：研究雕塑时则运用类型学进行考古学研究。本文试图选择西安地区唐墓女像为题，将三大类资料综合对比分析，对女像分型定式，然后划分其发展的阶段性，总结出各阶段女像艺术风格及成就，结合历史背景分析风格的形成原因，以及所反映的社会问题等。本文共分为四个部分，第一部分绪论首先介绍了唐墓发现情况以及前人对墓葬及女像的研究。目前学术界在专门史方面取得了很多成就，很多学者根据女像资料研究服饰、化妆、生活习俗等，但是对陵墓女像的风格成就与社会文化历史的关系方面研究较少，希望本文能起到抛砖引玉的作用。其次对选题意义、研究对象及方法步骤进行简介。本文首先对女像进行考古学解读，运用考古类型学，按造型特征将女像划分出类型。二是对女像进行艺术解读，分析其风格特征和艺术成就。三是将考古资料与文献资料结合起来，探讨陵墓女像的风格成因及社会意义。第一章是本文的基础，对三大类女像分别进行分型定式。每一类首先按最明显的特征即体型划分类，然后按照发型、服饰、面部细节特征分型。第二章在分型定式的基础上对女像进行分期，为便于全面了解一个时期女像艺术的基本面貌，本文又将三大类女像放在一起，，根据基本的风格特征将女像分为十三种类型，六种风格。然后结合十三类女像出现的时间，将唐墓女像的发展过程分为初唐-高宗时期、武周后期-开元早期、开元中晚期、中晚唐等五个时期。每一期出现的女像类型不同，风格迥异。第三章按时期论述女像的风格特征、艺术成就。唐墓女像大体有北周遗风、初唐新风、武周新风、景云风格、盛唐风韵、中晚唐风格等，不同的风格都取决于当时的社会文化背景、审美风尚，反过来又折射了社会历史的变化发展。最后为结语，大体概括了全文的内容，提出了文中的不足。由于知识有限，本文没有涉及美术技巧、绘画风格等内容，这是今后应注意弥补的地方。
[Abstract]:With the unearthed mural, terracotta figures and stone carvings of the Tang Tombs, especially in Xi'an area, the number of female statues has been revealed, and most of them are of high artistic standard.At present, the academic circles pay more attention to the plastic arts of the Tang Dynasty tomb figures, but the concentrated research on the female statues is still less, and the above three kinds of female statues are often discussed separately: in the study of the murals, more attention is paid to the painting techniques, the school inheritance, and so on.Do art history research: when studying sculpture, use typology to carry on archaeology research.This paper tries to select the female statues of Tang Tomb in Xi'an area as the title, compare and analyze the three kinds of data synthetically, classify the female statues, then divide the stages of their development, sum up the artistic styles and achievements of the female statues in each stage.Combined with historical background analysis of the formation of style, as well as reflected social problems.This paper is divided into four parts. The first part introduces the discovery of Tang tombs and previous researches on tombs and female statues.At present, academic circles have made a lot of achievements in the field of specialized history. Many scholars study costumes, makeup, living customs and so on according to the materials of female statues. However, there is little research on the relationship between the style achievements of the mausoleum female statues and the social, cultural and historical aspects.I hope this article can play a role in attracting jade.Secondly, the significance of the topic, research object and methods are briefly introduced.This paper first interprets the female statue by archaeological typology and classifies it according to the styling characteristics.The second is to analyze the artistic characteristics and artistic achievements of the female statue.Third, combining the archaeological materials with the literature to explore the style and social significance of the mausoleum female statues.The first chapter is the foundation of this paper.Each category is classified first by the most obvious feature, the figure, and then by hairstyle, clothing, and facial details.In the second chapter, on the basis of the classification formula, the female statues are divided into 13 types, in order to facilitate the overall understanding of the basic features of the art of the female statues in a period, this paper puts the three kinds of female statues together and divides them into 13 types according to the basic style characteristics.Six styles.Then combined with the appearance of thirteen kinds of female statues, the development process of the female statues of Tang tomb is divided into five periods: the early Tang Dynasty-Gao Zong period, the late Wuzhou period-the early Kaiyuan period, the middle and late Kaiyuan period and the middle and late Tang Dynasty.Each episode of the appearance of different types of women, different styles.The third chapter discusses the style and artistic achievement of the female statue according to the period.The female statues of the Tang Tombs generally have the style of the Northern Zhou Dynasty, the new style of the early Tang Dynasty, the new style of the Wu Zhou Dynasty, the style of Jingyun, the style of the prosperous Tang Dynasty, the style of the middle and late Tang Dynasty, and so on. The different styles all depend on the social and cultural background and the aesthetic style of that time.This, in turn, reflects the development of social history.The last part is the conclusion, which summarizes the content of the paper and puts forward the deficiency of the paper.Due to limited knowledge, this article does not involve art skills, painting style and so on, which should be paid attention to in the future.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：K879.41;K879.3

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