喑哑的一角:1920至1940年代中国女性雕塑家行踪考辨

发布时间：2018-06-13 11:41

  本文选题：王静远 + 美术展览会　； 参考：《美术观察》2017年09期

【摘要】：正1925年,在法国巴黎学成归国的李金发应邀赴任上海美术专科学校(以下简称"上海美专")雕刻科教授。不料是次招生因没有学生报名而停办[1]。这至少说明在1925年前后,西方美术学意义上的雕塑艺术,于国人而言,仍是一件陌生事。到1928年,国立西湖艺术院(1930年更名为国立杭州艺术专科学校,以下简称"杭州艺专")"在杭州孤山罗苑成立,设
[Abstract]:In 1925, Li Jinfa, who had returned to Paris, France, was invited to the Shanghai Academy of Fine Arts (hereinafter referred to as Shanghai American College) as a professor of sculpture. Unexpectedly, the enrollment was suspended because no students had signed up. This, at least, suggests that sculpture in the sense of Western art was still a strange thing to the people of China around 1925. By 1928, the National West Lake Academy of Art (renamed the National Hangzhou Academy of Art in 1930, hereinafter referred to as "Hangzhou Art College") was established in Luoyuan, Gushan, Hangzhou.
【作者单位】： 华南师范大学文学院;
【分类号】：J309.2
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本文编号：2013909