乡土图像的广义逻辑——基于视觉心理学和人类学视野的民间粗货泥塑造型原则阐释

发布时间：2018-06-23 01:29

  本文选题：百姓消费 + 人类学视野　； 参考：《美术观察》2017年06期

【摘要】：正民间泥塑分为大小两类,前者主要散布于各地石窟或寺庙,后者多为民俗产物。小型泥塑又区别为单件精工细作的"细货"和批量生产的"粗货"。粗货泥塑亦称耍货,被乡土百姓消费,风格明晰、代表性强、产量极高、影响广泛。~([1])目前,艺术学领域的民间泥塑研究成果丰富,遗憾的是,汗牛充栋的论述多局限于运用各种美学原理分析形象之
[Abstract]:Folk clay statues are divided into two categories, the former mainly scattered around the grottoes or temples, the latter mostly folk products. Small clay sculpture is distinguished as a single piece of fine work "fine goods" and batch-produced "coarse goods." Crude clay figurines, also known as charlatans, are consumed by the local people, with a clear style, strong representativeness, extremely high output and extensive influence. At present, there are abundant achievements in folk clay sculpture research in the field of art. Unfortunately, The argumentations are limited to the use of various aesthetic principles to analyze the image
【作者单位】： 扬州大学美术与设计学院;
【分类号】：J314.7
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本文编号：2055125