元代建筑石雕艺术研究

发布时间：2018-10-23 21:21

【摘要】：元朝是各族文化相互碰撞,交流并融合的大时代,是中原与草原文化的兼容并蓄,成为了盛大的文化熔炉,能够给中国雕塑艺术的不断发展提供不竭动力。元代统治者以开发包容的态度推动文化领域全面快速的发展,无论是艺术体系还是艺术理念都在一定程度上做出重大改变,因而建筑石雕艺术也在丰富前人的造型样式和雕刻手法上,逐渐表现出各具形象的多元化时代特色,使元代的建筑石雕在中国雕塑艺术史上具有重要学术价值。兼容并蓄的时代精神从客观上为草原民族的雕塑艺术带来全新的生机,因而元代的建筑石雕艺术虽存世量不大,但其特色张著且内涵非常丰富。作为一个特定历史时期,其建筑石雕艺术从内容题材和风格样式上汇融不同地域文化滋养的同时又成就其独特性。以元代建筑石雕遗存为主要依据,充分引证中外文献资料,再通过图像学的深入归纳分析力求整合出元代建筑石雕艺术的基本面貌与状况,探寻元代这一多民族文化大交融的时代背景下建筑石雕艺术创新与发展的路径。同时,以这一时期建筑石雕艺术遗存的梳理为抓手,从题材选择、制作工艺、审美倾向以及官府制作机构、雕塑家和其他相关资料等各个层面,多视角、多维度印证元代建筑石雕作为草原文化所属的整体艺术精神和特色。
[Abstract]:The Yuan Dynasty was a great era in which cultures of all ethnic groups collided, exchanged and merged with each other. It was the all-embracing culture of the Central Plains and the grassland, and became a grand melting pot of culture, which could provide an inexhaustible impetus for the continuous development of Chinese sculpture art. The rulers of the Yuan Dynasty promoted the overall and rapid development of the cultural field with the attitude of development and tolerance. To a certain extent, both the art system and the artistic concept made major changes. As a result, the art of architectural stone carving is also rich in the previous modeling style and carving techniques, gradually showing the characteristics of the various images of the times, making the architectural stone carving of the Yuan Dynasty have important academic value in the history of Chinese sculpture art. The inclusive spirit of the times objectively brought a new vitality to the sculpture art of the grassland nation. Therefore, although the architectural stone carving art of the Yuan Dynasty has not much existing in the world, its characteristics are open and the connotation is very rich. As a specific historical period, the art of stone sculpture integrates different regional culture from the content and style of theme and style, while achieving its uniqueness. Based on the remains of the stone carvings of the Yuan Dynasty, this paper fully cites the literature and materials of both China and foreign countries, and tries to integrate the basic features and conditions of the stone carving art of the buildings of the Yuan Dynasty through the deep induction and analysis of the graphic science. This paper explores the path of innovation and development of architectural stone carving art under the background of the fusion of multi-national culture in Yuan Dynasty. At the same time, with the carding of the art remains of the architectural stone carving in this period as the grasp, from the theme selection, the production craft, the esthetic tendency as well as the government production organization, the sculptor and other related information and so on each level, the multi-angle, the multi-angle of view, and so on, Multi-dimensional evidence of the Yuan Dynasty architectural stone sculpture as a grassland culture belongs to the overall artistic spirit and characteristics.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J314.3

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