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皮胎雕漆工艺在现代箱包设计上的应用

发布时间:2018-10-23 20:18
【摘要】:“换换口味吧,雕漆也可以这样用!”。把雕漆做成为人们所使用的、有功能性的生活用品,以这种方式普及雕漆,让人们认识和接受雕漆。这就是我想表达的简单想法。 雕漆,始于大约一千五百年前,它是中华工艺文明的重要组成部分,有着悠久的历史和辉煌的成就。雕漆是由中国原始造物艺术延续而来的工艺文化,,开始便成为权贵的象征。雕漆所形成的器皿所体现的技艺与尺寸构成的物与物、人与物关系的空间,不断地反映出人们社会生活的行为方式和思维方式,正如历朝历代的雕漆所呈现的形态多为摆件,大多不能为人们所使用。然而传统雕漆工艺因工艺技术、研发设计、营销方式等各方面因素的制约没能适应现代社会生活而出现的发展瓶颈。在手工业面临危机的当下,传统雕漆迫切需要进行现代表现形式方面的尝试,在完整地传统技艺精髓传承下去的同时,更迫切需要设计和创作出融入时代特色、能为较广泛人群接受的现代雕漆作品。 2003年10月17日联合国教科文组织通过的《保护非物质文化遗产公约》指出:“保护”指采取措施,确保非物质文化遗产的生命力,包括这种遗产各个方面的确认、立档、研究、保存、保护、宣传、弘扬、承传(主要通过正规和非正规教育)和振兴。”①学习雕漆,探究中国传统文化的现代价值,思考中国传统文化对人类未来可能有的贡献无疑是有益的。 本文通过学习传统雕漆技艺,学习大师的设计思路融合皮革设计所学知识,以皮胎雕漆为线索,研究其历史、恢复其工艺,来呈现雕漆的现代化表现形式。通过功能化雕漆使人们认识和接受雕漆,这样才能更好的传承、发展。让雕漆这份美丽珍贵的传统手工技艺遗产一代代传下去是我们的责任。
[Abstract]:"change your taste, and you can use the carving paint like this!" Make the carving lacquer become the people's use, the functional daily necessities, in this way popularize the carving lacquer, let people know and accept the carving lacquer. This is the simple idea I want to express. Carving lacquer, which began about 1500 years ago, is an important part of Chinese craft civilization, with a long history and brilliant achievements. Carving lacquer is from the Chinese original creation art from the continuation of the craft culture, began to become a symbol of power. The objects and objects of the craft and the size of the vessels formed by the carving lacquer, the space of the relationship between people and things, constantly reflect the ways of behavior and thinking of people's social life, just as the forms of the carving lacquers of the past dynasties are mostly ornaments. Most cannot be used by people. However, the traditional lacquer process has not been able to adapt to the development bottleneck of modern social life due to the constraints of various factors such as technology, R & D design, marketing methods and so on. At the moment when handicraft industry is facing crisis, traditional carving lacquer urgently needs to try on modern expression form, while inheriting the essence of traditional art completely, it is more urgent to design and create to blend into the characteristics of the times. The Convention for the Protection of the Intangible Cultural Heritage, adopted by the United Nations Educational, Scientific and Cultural Organization on 17 October 2003, states that "protection" means measures taken, Ensuring the viability of the intangible cultural heritage, including the recognition, archiving, research, preservation, protection, promotion, inheritance (mainly through formal and non-formal education) and revitalization of all aspects of such heritage. "1 It is undoubtedly beneficial to explore the modern value of Chinese traditional culture and to think about its possible contribution to the future of mankind. In this paper, by studying the traditional techniques of carving lacquer and learning the design ideas of the master, the author combines the knowledge of leather design, taking the leather tyre carving paint as the clue, studies its history, restores its craft, and presents the modern expression form of the carved lacquer. Through functional carving paint to enable people to understand and accept carving paint, so as to better inheritance and development. It is our duty to pass on this beautiful and precious heritage of traditional handicraft skills.
【学位授予单位】:北京服装学院
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:TS563.4;J314.6

【共引文献】

相关期刊论文 前10条

1 毛溪;;模糊设计的思想和应用[J];包装工程;2008年08期

2 胡玮;;传统工艺对现代工业设计发展的思考[J];包装工程;2009年05期

3 要彬;;现代设计需要传统手工艺的融汇[J];包装工程;2010年16期

4 梁玲琳;朱麒宇;;再论中国传统工艺传承中的要素整合创新[J];包装工程;2011年12期

5 刘首含;;论清代与现代饮具装饰的变化[J];长春工程学院学报(社会科学版);2009年01期

6 张文丽;;浚县“泥咕咕”的人文之美[J];重庆科技学院学报(社会科学版);2010年04期

7 潘天波;胡玉康;;漆艺之艺:手工艺与设计之间[J];创意与设计;2011年04期

8 张景明;;北方游牧民族工艺文化的发展历史与现状[J];大连大学学报;2008年05期

9 袁予生;;“一村一品”运动中的手工艺[J];当代艺术;2008年01期

10 孙s

本文编号:2290354


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