青州龙兴寺佛教造像艺术初探
发布时间：2018-12-12 02:15
【摘要】： 青州龙兴寺出土造像数量多、种类繁,雕造精美、彩绘富丽,是不可多得艺术珍品。这批造像的出土,为我们探索中国佛教艺术提供了丰富的资料。本文论述了青州龙兴寺佛教造像的源流、造型特征、装饰手法及其与周边地区出土造像的关系四个方面内容。 龙兴寺的佛教造像风格丰富多变,其中风格独特的东魏、北齐时期的作品广受关注。北齐时期龙兴寺造像区域性特征的形成,受到了诸多因素的影响,从佛教文化在这一时期的兴盛状况来看,青州佛教造像艺术的高度发展有其客观原因。佛事活动的繁荣,使得青州龙兴寺佛教造像部分承袭了北魏以来南朝造像的本土风格,与此同时,与古扶南国、狮子国等地的佛教文化交流也带来了印度佛教造像的笈多式风格。在上述因素的影响下,青州地区的工匠根据本地的审美倾向进行创作,逐渐形成了具有区域性特征的青州风格造像特征。本文论述的另一个重点是龙兴寺造像的装饰手法,在追溯了彩绘、贴金工艺源流的基础上,探讨了龙兴寺造像中彩绘、贴金手法。龙兴寺造像还与周边诸城、博兴、临朐等地的出土造像有着紧密关联,了解这些地方出土造像之间的相互联系,有利于我们全面认识龙兴寺造像的造型风格特征和龙兴寺造像的重要地位。
[Abstract]:Qingzhou Longxing Temple unearthed a large number of kinds, beautifully carved, colorful painting, is rare art treasures. The unearthed statues provide abundant information for us to explore Chinese Buddhist art. This paper discusses the origin, modeling characteristics, decoration techniques and the relationship between the Buddhist statues of Qingzhou Longxing Temple and the unearthed statues in the surrounding areas. The Buddhist statues of Longxing Temple are rich and varied in style, among which the works of the Eastern Wei Dynasty and Northern Qi Dynasty have attracted much attention. The formation of the regional features of the Longxing Temple in the Northern Qi Dynasty was influenced by many factors. From the perspective of the flourishing situation of Buddhist culture in this period, there are objective reasons for the high development of the Buddhist statue art in Qingzhou. The prosperity of Buddhist activities made the Buddhist statues of the Longxing Temple in Qingzhou inherit the local style of the statues of the Southern Dynasty since the Northern Wei Dynasty. Buddhist cultural exchanges in places such as the Lion Kingdom have also brought Gupta style to Indian Buddhist statues. Under the influence of the above factors, the artisans in Qingzhou area created according to the local aesthetic tendency, and gradually formed the regional characteristics of Qingzhou style. Another important point of this paper is the decoration technique of Longxing Monastery. On the basis of tracing back to the origin of painting and the process of gold affixing, this paper discusses the painting in the statue of Longxing Temple and the modus operandi of subsidizing gold. The statues of the Longxing Temple are also closely related to the unearthed statues in surrounding cities, Boxing, Linqu, etc., to understand the interrelationship between the statues unearthed in these places, It is helpful for us to understand the styling style of Longxing Temple and the important position of Longxing Temple.
【学位授予单位】：东南大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J314.2
本文编号：2373704
[Abstract]:Qingzhou Longxing Temple unearthed a large number of kinds, beautifully carved, colorful painting, is rare art treasures. The unearthed statues provide abundant information for us to explore Chinese Buddhist art. This paper discusses the origin, modeling characteristics, decoration techniques and the relationship between the Buddhist statues of Qingzhou Longxing Temple and the unearthed statues in the surrounding areas. The Buddhist statues of Longxing Temple are rich and varied in style, among which the works of the Eastern Wei Dynasty and Northern Qi Dynasty have attracted much attention. The formation of the regional features of the Longxing Temple in the Northern Qi Dynasty was influenced by many factors. From the perspective of the flourishing situation of Buddhist culture in this period, there are objective reasons for the high development of the Buddhist statue art in Qingzhou. The prosperity of Buddhist activities made the Buddhist statues of the Longxing Temple in Qingzhou inherit the local style of the statues of the Southern Dynasty since the Northern Wei Dynasty. Buddhist cultural exchanges in places such as the Lion Kingdom have also brought Gupta style to Indian Buddhist statues. Under the influence of the above factors, the artisans in Qingzhou area created according to the local aesthetic tendency, and gradually formed the regional characteristics of Qingzhou style. Another important point of this paper is the decoration technique of Longxing Monastery. On the basis of tracing back to the origin of painting and the process of gold affixing, this paper discusses the painting in the statue of Longxing Temple and the modus operandi of subsidizing gold. The statues of the Longxing Temple are also closely related to the unearthed statues in surrounding cities, Boxing, Linqu, etc., to understand the interrelationship between the statues unearthed in these places, It is helpful for us to understand the styling style of Longxing Temple and the important position of Longxing Temple.
【学位授予单位】：东南大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J314.2
【引证文献】
相关期刊论文 前4条
1 马月娇;石建刚;;青州龙兴寺背屏式造像色彩研究——以一件北魏至东魏时期背屏式三身石造像为例[J];丝绸之路;2013年02期
2 叶子;;青州龙兴寺窖藏佛教造像探索[J];文物鉴定与鉴赏;2011年06期
3 范立舟;;弥勒信仰与宋元白莲教[J];中山大学学报(社会科学版);2012年03期
4 杨玉圣;;认真对待松林书院文化遗产——兼谈“青州学”与“文化青州”建设[J];云梦学刊;2013年02期
相关硕士学位论文 前4条
1 陈琪;青州北朝背屏式佛教造像中飞天伎乐研究[D];陕西师范大学;2011年
2 李晓云;论笈多美术对南北朝后期与隋代佛教造像的影响[D];山东大学;2010年
3 蔺清;北齐设计文化研究[D];湖南师范大学;2013年
4 赵呈呈;驼山、云门山隋代佛教石窟造像研究[D];南京艺术学院;2013年
，本文编号：2373704
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