绵竹年画元素在雕塑创作中的运用研究
发布时间：2018-12-13 08:33
【摘要】：鲁迅先生曾对中国美术摆脱困境的方法有过高明的见地,一条路是,采用国外的良规,加以施展,使我们的作品更饱满;另一条路是,拾取中国的遗产,融合新机,使将来的作品标新立异。这两条路总是伴随着中国雕塑的发展,一部分雕塑家在西方艺术思潮的冲击下盲目的借鉴国外观念,造成了中国本土艺术观念的迷失;还有一部分人在借鉴西方文化观念的同时,开始自觉的在中国传统文化中寻找灵感,把其丰富的艺术特征和元素运用到雕塑创作中去,使雕塑内容更加丰富,更具民族性。本次论文分为七章来论述绵竹年画元素在雕塑创作中的运用研究,在文章的首章详细的分析了这个课题的背景,阐述了研究这个课题的意义。第二章介绍了绵竹年画的历史概况,文化价值,美学特征,并根据年画中不同类型的题材,对其进行了详细的解读。第三章对当前的一些绵竹年画的主要艺术形态和新出现的艺术形态进行了概述。第四章分析了在国际化和本土化的环境下,面临观念的改变,雕塑创作的一个现状。第五章通过分析探寻到了绵竹年画与雕塑创作的相同点,探究他们在题材、造型、色彩、创作思维的方式上的相同的关系;阐述了将年画融入到雕塑创作的意义和价值;例举了绵竹年画元素在雕塑创作中的应用,表明了他们之间有着互通有无的联系。第六章分析绵竹年画元素与雕塑创作结合的新特色,即新的民间艺术,年画雕塑。第七章阐述在绵竹年画的启发下,自己在实践中的创作运用。最后总结我们应该去充分利用我国丰富的民族文化,深入挖掘我国优秀的传统文化资源,创作出引人入甚,具有高价值的新作品,用以促进中国雕塑的发展,传承中国民族文化。
[Abstract]:Mr. Lu Xun had a brilliant insight into the method of getting rid of the predicament of Chinese art. One way is to adopt foreign good rules and exert them to make our works more full. Another way is to pick up China's heritage and integrate new opportunities to make future works innovative. These two ways are always accompanied by the development of Chinese sculpture, some sculptors blindly learn from foreign ideas under the impact of western art trends, resulting in the loss of Chinese local artistic concepts; At the same time, some people began to consciously look for inspiration in Chinese traditional culture and apply their rich artistic characteristics and elements to sculpture creation, so that the content of sculpture is richer and more national. This paper is divided into seven chapters to discuss the use of Mianzhu New year painting elements in sculpture creation research, in the first chapter of the article detailed analysis of the background of the subject, elaborated the significance of the subject. The second chapter introduces the historical overview, cultural value, aesthetic characteristics of Mianzhu New year painting, and according to the different types of themes in the New year Pictures, it makes a detailed interpretation. In the third chapter, the main art forms and the new art forms of Mianzhu New year paintings are summarized. The fourth chapter analyzes the present situation of sculpture creation under the environment of internationalization and localization, facing the change of concept. The fifth chapter explores the similarities between Mianzhu New year painting and sculpture, explores their same relationship in subject matter, modeling, color and creative thinking, and expounds the significance and value of integrating New year painting into sculpture creation. The application of Mianzhu New year painting elements in sculpture creation shows that there is a mutual connection between them. The sixth chapter analyzes the new features of Mianzhu New year painting elements combined with sculpture creation, namely the new folk art, New year painting sculpture. The seventh chapter expounds his creative application in practice inspired by Mianzhu New year painting. Finally, we should make full use of our country's rich national culture, dig into our excellent traditional cultural resources, and create new works that attract people and have high value in order to promote the development of Chinese sculpture. Pass on Chinese national culture.
【学位授予单位】：西南民族大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J218.3;J304
本文编号：2376249
[Abstract]:Mr. Lu Xun had a brilliant insight into the method of getting rid of the predicament of Chinese art. One way is to adopt foreign good rules and exert them to make our works more full. Another way is to pick up China's heritage and integrate new opportunities to make future works innovative. These two ways are always accompanied by the development of Chinese sculpture, some sculptors blindly learn from foreign ideas under the impact of western art trends, resulting in the loss of Chinese local artistic concepts; At the same time, some people began to consciously look for inspiration in Chinese traditional culture and apply their rich artistic characteristics and elements to sculpture creation, so that the content of sculpture is richer and more national. This paper is divided into seven chapters to discuss the use of Mianzhu New year painting elements in sculpture creation research, in the first chapter of the article detailed analysis of the background of the subject, elaborated the significance of the subject. The second chapter introduces the historical overview, cultural value, aesthetic characteristics of Mianzhu New year painting, and according to the different types of themes in the New year Pictures, it makes a detailed interpretation. In the third chapter, the main art forms and the new art forms of Mianzhu New year paintings are summarized. The fourth chapter analyzes the present situation of sculpture creation under the environment of internationalization and localization, facing the change of concept. The fifth chapter explores the similarities between Mianzhu New year painting and sculpture, explores their same relationship in subject matter, modeling, color and creative thinking, and expounds the significance and value of integrating New year painting into sculpture creation. The application of Mianzhu New year painting elements in sculpture creation shows that there is a mutual connection between them. The sixth chapter analyzes the new features of Mianzhu New year painting elements combined with sculpture creation, namely the new folk art, New year painting sculpture. The seventh chapter expounds his creative application in practice inspired by Mianzhu New year painting. Finally, we should make full use of our country's rich national culture, dig into our excellent traditional cultural resources, and create new works that attract people and have high value in order to promote the development of Chinese sculpture. Pass on Chinese national culture.
【学位授予单位】：西南民族大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J218.3;J304
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