当代城市雕塑综合材料的创新
发布时间：2019-03-09 09:03
【摘要】：城市雕塑作为构成城市公共环境的一部分,它不仅美化了城市公共环境,而且还陶冶了人们的情操,给予了人们美的享受。城市雕塑是城市历史底蕴、精神风貌、民族精神和文化以及历史传承的直观表达,既承载了艺术家对于生活的向往和追求,又通过艺术加工的形式给与人们更直观的视觉感受和精神上的共鸣和震撼。因而,它逐渐在人们心中占据一席之地。随着第二次世界大战结束后,国际环境相对趋于和平,社会经济得到了空前的发展。在经济全球化的驱动下,中西方交流日渐深入,当代西方的艺术理念和雕塑综合材料纷纷被引进国内,从而为城市雕塑的发展提供了新的契机。上世纪80年代末90年代初期,“综合材料雕塑”这一个概念和运用已经逐渐在我国雕塑艺术中占据重要地位。20世纪90年代初期我国已经开始由政府机构筹备举办城市雕塑创作营活动,至21世纪初期,我国雕塑创作营呈现雨后春笋之态势。城市雕塑创作营的蓬勃发展不仅为优秀雕塑作品的诞生提供了契机,也为城市公共环境的改善做出了贡献,快速而卓有成效的提升了当地社区文化艺术品位,同时带来的还有经济效益的带动和提升。虽然城市雕塑创作营活动作为一项开放性的文化艺术活动,它不仅在普罗大众中宣传普及了雕塑艺术,同时也为艺术家们提供了良好的创作平台和机遇。本文通过对当代城市雕塑综合材料与雕塑创作营在我国的发展进行了探讨与分析,解析当代城市雕塑综合材料在我国城市雕塑中的运用与拓展,解读我国城市雕塑创作营活动中存在的问题,例如跟风举办,本末倒置只求作品数量,忽略城市雕塑作为本地历史文化和精神风貌的载体的作用等等。通过对这些问题的分析,进一步探索问题的根源所在,从而提出城市雕塑只有向民族化发展才有出路,只有结合本民族特点城市雕塑创作营和综合材料运用与表达才能走的更远更高。
[Abstract]:As a part of the urban public environment, urban sculpture not only beautifies the urban public environment, but also nurtures people's sentiment and gives people the enjoyment of beauty. Urban sculpture is an intuitive expression of urban history, spiritual style, national spirit and culture, as well as historical inheritance, which not only bears the artist's yearning and pursuit for life, And through the form of art processing to people more intuitive visual feelings and spiritual resonance and shock. As a result, it gradually occupies a place in the hearts of people. With the end of World War II, the international environment tends to be relatively peaceful, socio-economic development has been unprecedented. Driven by economic globalization, the communication between China and the West is getting deeper and deeper, and the contemporary western art ideas and sculpture comprehensive materials have been introduced into China one after another, thus providing a new opportunity for the development of urban sculpture. In the late 1980s and early 1990s, The concept and application of "Comprehensive material Sculpture" has gradually occupied an important position in the art of sculpture in our country. In the early 1990s, the government began to organize the activities of urban sculpture creation camp by government agencies, and by the beginning of the 21st century, The sculpture creation camp in our country has sprung up. The vigorous development of the urban sculpture creation camp not only provides an opportunity for the birth of outstanding sculpture works, but also contributes to the improvement of the urban public environment, and rapidly and effectively promotes the cultural and artistic taste of the local community. At the same time, it also brings about the drive and promotion of economic benefits. Although the city sculpture creation camp is an open cultural and artistic activity, it not only propagandizes and popularizes sculpture art among the general public, but also provides a good platform and opportunity for artists to create. This paper discusses and analyzes the development of contemporary urban sculpture comprehensive materials and sculpture creation camp in China, and analyzes the application and expansion of contemporary urban sculpture comprehensive materials in China's urban sculpture. This paper interprets the problems existing in the activities of urban sculpture creation camp in China, such as following the trend, putting the cart before the horse, and neglecting the role of urban sculpture as the carrier of local history, culture and spirit, and so on. Through the analysis of these problems, the author further explores the root causes of the problems, and puts forward that only the development of urban sculpture to nationalization can there be a way out. Only combining the national characteristics of urban sculpture creation camp and the use and expression of comprehensive materials can we go further and higher.
【学位授予单位】：湖北美术学院
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J313.2
本文编号：2437303
[Abstract]:As a part of the urban public environment, urban sculpture not only beautifies the urban public environment, but also nurtures people's sentiment and gives people the enjoyment of beauty. Urban sculpture is an intuitive expression of urban history, spiritual style, national spirit and culture, as well as historical inheritance, which not only bears the artist's yearning and pursuit for life, And through the form of art processing to people more intuitive visual feelings and spiritual resonance and shock. As a result, it gradually occupies a place in the hearts of people. With the end of World War II, the international environment tends to be relatively peaceful, socio-economic development has been unprecedented. Driven by economic globalization, the communication between China and the West is getting deeper and deeper, and the contemporary western art ideas and sculpture comprehensive materials have been introduced into China one after another, thus providing a new opportunity for the development of urban sculpture. In the late 1980s and early 1990s, The concept and application of "Comprehensive material Sculpture" has gradually occupied an important position in the art of sculpture in our country. In the early 1990s, the government began to organize the activities of urban sculpture creation camp by government agencies, and by the beginning of the 21st century, The sculpture creation camp in our country has sprung up. The vigorous development of the urban sculpture creation camp not only provides an opportunity for the birth of outstanding sculpture works, but also contributes to the improvement of the urban public environment, and rapidly and effectively promotes the cultural and artistic taste of the local community. At the same time, it also brings about the drive and promotion of economic benefits. Although the city sculpture creation camp is an open cultural and artistic activity, it not only propagandizes and popularizes sculpture art among the general public, but also provides a good platform and opportunity for artists to create. This paper discusses and analyzes the development of contemporary urban sculpture comprehensive materials and sculpture creation camp in China, and analyzes the application and expansion of contemporary urban sculpture comprehensive materials in China's urban sculpture. This paper interprets the problems existing in the activities of urban sculpture creation camp in China, such as following the trend, putting the cart before the horse, and neglecting the role of urban sculpture as the carrier of local history, culture and spirit, and so on. Through the analysis of these problems, the author further explores the root causes of the problems, and puts forward that only the development of urban sculpture to nationalization can there be a way out. Only combining the national characteristics of urban sculpture creation camp and the use and expression of comprehensive materials can we go further and higher.
【学位授予单位】：湖北美术学院
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J313.2
【参考文献】
相关期刊论文 前2条
1 戴维·拉斯金,鹿镭;金属画家[J];世界美术;2000年01期
2 约翰·扬,蒋大可译;中国的现代公共艺术[J];世界美术;1997年01期
，本文编号：2437303
本文链接：https://www.wllwen.com/wenyilunwen/diaosuzhuangshi/2437303.html
