“物件”与中国当代雕塑
发布时间：2019-03-17 13:02
【摘要】：“物件”从字面而言，可以直译为成件的或者能以件数的物品。文中所提及的“物件”多为由人在生产生活过程中所制造出的物品，以此类“物件”为题材的雕塑作品称为“物件”雕塑。 文章通过了解“物件”雕塑在中国产生的时代背景，从分析艺术家以“物件”作为题材进行创作的内在追求、创作手法和意义等方面研究中国当代雕塑中的“物件”雕塑。其中着重从“物件”本身的实用性、隐喻性等角度，结合物化社会中“物件”私人情感与公共性的交织，探讨这一雕塑题材在中国当代雕塑中产生的原因及意义。试图了解雕塑家如何以挪用、改造、重塑等手法来展现“物件”的时代性和符号性，从而表达个人情感与艺术观念。以此类雕塑为切入点，分析“物件”雕塑对中国当代雕塑的创作题材、形式语言和观念表达所产生的意义。
[Abstract]:Objects can literally be translated into pieces or can be numbered. The "objects" mentioned in the paper are mostly made by people in the process of production and life, and the sculptures with this kind of "objects" as the subject matter are called "objects" sculptures. Through understanding the background of the emergence of "object" sculpture in China, this paper studies the "object" sculpture in contemporary Chinese sculpture from the aspects of the intrinsic pursuit, creation technique and significance of artists' creation of "object" as the subject matter. From the angle of practicality, metaphorical and so on, this paper discusses the cause and significance of this sculpture theme in contemporary Chinese sculpture from the angle of practicality, metaphorical and so on, combined with the interweaving of private emotion and publicity of object in materialized society. This paper tries to understand how sculptors show the time and symbol of "objects" by means of embezzlement, reconstruction, and so on, so as to express their personal feelings and artistic ideas. Taking this kind of sculpture as the starting point, this paper analyzes the significance of "object" sculpture to the creation theme, form language and concept expression of Chinese contemporary sculpture.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J305
本文编号：2442324
[Abstract]:Objects can literally be translated into pieces or can be numbered. The "objects" mentioned in the paper are mostly made by people in the process of production and life, and the sculptures with this kind of "objects" as the subject matter are called "objects" sculptures. Through understanding the background of the emergence of "object" sculpture in China, this paper studies the "object" sculpture in contemporary Chinese sculpture from the aspects of the intrinsic pursuit, creation technique and significance of artists' creation of "object" as the subject matter. From the angle of practicality, metaphorical and so on, this paper discusses the cause and significance of this sculpture theme in contemporary Chinese sculpture from the angle of practicality, metaphorical and so on, combined with the interweaving of private emotion and publicity of object in materialized society. This paper tries to understand how sculptors show the time and symbol of "objects" by means of embezzlement, reconstruction, and so on, so as to express their personal feelings and artistic ideas. Taking this kind of sculpture as the starting point, this paper analyzes the significance of "object" sculpture to the creation theme, form language and concept expression of Chinese contemporary sculpture.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J305
【参考文献】
相关期刊论文 前1条
1 郭继锋;;现成物介入雕塑的几种方式[J];西北美术;2008年04期
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