“只今妙手跨前哲”——论滑田友的雕塑艺术成就

发布时间：2019-03-20 18:28

【摘要】：在中国现代雕塑史上,滑田友的贡献堪称卓著。他对中国传统雕塑和西方雕塑都有系统的掌握,并试图将两者汇通以形成具有民族特色和现代品格的雕塑风格。他先在参与修复唐代彩塑的过程中认识传统要义,后在留法学习西方雕塑的苦读中掌握了学院技法。对"气韵生动"、"应物象形"等画法论说,他按自己的体会和理解在创作中不断加以转化、运用,并逐渐形成了以此为核心的雕塑理念。本文通过对其生平事迹的考察,并结合具体作品分析,对滑田友在雕塑艺术上取得的成就展开论述。本文认为,滑田友的雕塑实践和理论自觉在今天仍具启发意义。
[Abstract]:In the history of modern Chinese sculpture, Hua Tianyou's contribution can be rated as outstanding. He has a systematic grasp of Chinese traditional sculpture and western sculpture, and tries to combine them to form a sculpture style with national characteristics and modern character. He first knew the essence of tradition in the process of repairing the color sculptures in Tang Dynasty, and then he mastered the techniques of the college in studying Western sculptures in France. According to his own experience and understanding, he constantly transformed and applied it in his creation, and gradually formed the idea of sculpture with this as the core, according to his painting theories such as "vivid atmosphere" and "figurative image of corresponding objects", and other painting theories such as "spirit and vividness" and "corresponding object pictography", etc. Based on the investigation of his life story and the analysis of his concrete works, this paper discusses Hua Tianyou's achievements in sculpture art. This paper holds that Hua Tianyou's practice and theoretical consciousness of sculpture is still instructive today.
【作者单位】：华东师范大学艺术研究所;
【分类号】：J305

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