云南玉溪民间民居建筑雕刻研究
发布时间：2019-04-09 15:48
【摘要】：建筑雕刻是一门综合艺术,是民族传统工艺,建筑雕刻古朴精美,风格各异,是我国民族民间艺术遗产中不可多得的一部分,决定着它具有美的独特性和表现性。建筑雕刻它赋予了建筑造型以生动的形象,并融于整体建筑之中。在民居建筑中,最具特色的要数屋顶、梁头、柱础、门墩、窗子上的雕刻,房屋上雕刻着花鸟、山水、人物,吉祥图案,等这些图案具有一定的意义。建筑雕刻以形体的造型来反映生活、再现生活。因此,民间建筑雕刻这种特有的最直接的表现性,决定了它的崇高的审美价值。民间建筑雕刻记载着地方的传统文化,反映地方的社会的发展和生活变迁的过程,随着时代的变迁,文化的发展,民间建筑雕刻审美也发生着演变,在人们追求高品质生活和现代化居住的环境下,社会的发张很快,民族民间具有特色的民居文化,建筑雕刻逐渐退色,很多优秀的传统民居建筑不能适应当前社会的发展,云南是少数民族大省,玉溪少数民族众多,玉溪民间建筑雕刻有浓重的地方色彩,它是地域文化发展的产物,是人类艺术意志的体现。玉溪民间建筑雕刻集中在云南的中部地区,以前的民间建筑留下来的比较丰富,比较集中,具有较高的历史价值、文化价值、艺术价值。在形式、内容、象征、造型风格与全国其它地区的建筑雕刻还是有很多区别,雕刻的材料都产自本土的木材、石材等,与全国其他地域的材质还是大不一样,好多建筑雕刻技艺术都是师傅口头相传下来的,没有书本记载,建筑雕刻是人类对建筑物上的的部件加工改造创作出来的物质产物,有独特的文化特色,它的产生和使用是玉溪劳动人民智慧的结晶。随着时代的变迁,传承发展地域文化,合理第吸收古代文化的精华、破旧立新、不断革新民间建筑雕刻理论系统,更新思想理论,立足源远流传的中国传统民间文化,更深层次地认识少数民族地区的建筑雕刻文化,是人们对建筑环境的心理诉求和审美要求的建筑环境的表现方式,从中获得更新的灵感和创意,启迪创新的思维,更好的促进民族传统的发展和继承,吸收地域文化及时代特征在现代建筑雕刻中的得到运用和体现。
[Abstract]:Architectural carving is a comprehensive art, is a national traditional craft, architectural carving is simple and exquisite, different styles, is a rare part of our national folk art heritage, determines its unique beauty and performance. Architecture engraving it gives the architectural shape vivid image, and melts in the whole building. In residential architecture, the most characteristic is roof, beam head, column foundation, door pier, window carving, house engraving flowers and birds, landscape, characters, auspicious patterns, and so on these patterns have a certain significance. Architectural carving to the shape of the shape to reflect life, reproduction of life. Therefore, the unique and most direct expression of folk architecture sculpture determines its high aesthetic value. Folk architecture engraving records the local traditional culture, reflects the local social development and the process of life change. With the change of the times and the development of culture, the aesthetic of the folk architecture carving has also evolved. In the environment of people's pursuit of high-quality living and modern living, the development of the society is very rapid, the folk and ethnic folk culture of residential buildings, architectural carving gradually fade, many excellent traditional residential buildings can not adapt to the current social development. Yunnan is a large province of ethnic minorities, there are many ethnic minorities in Yuxi, Yuxi folk architecture carving has a strong local color, it is the product of the development of regional culture, is the embodiment of the will of human art. The carving of Yuxi folk architecture is concentrated in the central part of Yunnan. The previous folk architecture remains rich and concentrated, and has high historical value, cultural value and artistic value. In form, content, symbolism, and styling, there are still many differences between architectural carving in other parts of the country and other parts of the country. The engraving materials are made from native wood, stone, and so on, and are still very different from the materials of other parts of the country. Many architectural carving techniques and arts are passed down orally by the master, and there is no book record. Architectural carving is a material product created by the processing and transformation of the components on the building, with unique cultural characteristics. Its production and use is the crystallization of the wisdom of the working people in Yuxi. With the change of the times, inheriting and developing regional culture, rationally absorbing the essence of ancient culture, breaking the old and building new, constantly renovating the theoretical system of folk architecture carving, renewing the ideological theory, based on the ancient Chinese traditional folk culture, A deeper understanding of the architectural sculpture culture in ethnic minority areas is a way of expressing people's psychological and aesthetic demands for the architectural environment, from which they can obtain updated inspiration and creativity and enlighten innovative thinking. Better promote the development and inheritance of national tradition, absorb the regional culture and the characteristics of the times in modern architecture carving to be used and reflected.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J305
本文编号：2455307
[Abstract]:Architectural carving is a comprehensive art, is a national traditional craft, architectural carving is simple and exquisite, different styles, is a rare part of our national folk art heritage, determines its unique beauty and performance. Architecture engraving it gives the architectural shape vivid image, and melts in the whole building. In residential architecture, the most characteristic is roof, beam head, column foundation, door pier, window carving, house engraving flowers and birds, landscape, characters, auspicious patterns, and so on these patterns have a certain significance. Architectural carving to the shape of the shape to reflect life, reproduction of life. Therefore, the unique and most direct expression of folk architecture sculpture determines its high aesthetic value. Folk architecture engraving records the local traditional culture, reflects the local social development and the process of life change. With the change of the times and the development of culture, the aesthetic of the folk architecture carving has also evolved. In the environment of people's pursuit of high-quality living and modern living, the development of the society is very rapid, the folk and ethnic folk culture of residential buildings, architectural carving gradually fade, many excellent traditional residential buildings can not adapt to the current social development. Yunnan is a large province of ethnic minorities, there are many ethnic minorities in Yuxi, Yuxi folk architecture carving has a strong local color, it is the product of the development of regional culture, is the embodiment of the will of human art. The carving of Yuxi folk architecture is concentrated in the central part of Yunnan. The previous folk architecture remains rich and concentrated, and has high historical value, cultural value and artistic value. In form, content, symbolism, and styling, there are still many differences between architectural carving in other parts of the country and other parts of the country. The engraving materials are made from native wood, stone, and so on, and are still very different from the materials of other parts of the country. Many architectural carving techniques and arts are passed down orally by the master, and there is no book record. Architectural carving is a material product created by the processing and transformation of the components on the building, with unique cultural characteristics. Its production and use is the crystallization of the wisdom of the working people in Yuxi. With the change of the times, inheriting and developing regional culture, rationally absorbing the essence of ancient culture, breaking the old and building new, constantly renovating the theoretical system of folk architecture carving, renewing the ideological theory, based on the ancient Chinese traditional folk culture, A deeper understanding of the architectural sculpture culture in ethnic minority areas is a way of expressing people's psychological and aesthetic demands for the architectural environment, from which they can obtain updated inspiration and creativity and enlighten innovative thinking. Better promote the development and inheritance of national tradition, absorb the regional culture and the characteristics of the times in modern architecture carving to be used and reflected.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J305
【参考文献】
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