幻化的空间—探索超现实主义雕塑的表现语言

发布时间：2019-05-13 18:38

【摘要】：超现实主义是二十世纪二十年代起源于法国的一个重要艺术流派。超现实主义艺术家受到弗洛伊德精神分析学说的影响,主张放弃理性、拒绝逻辑思维,进行绝对自由的艺术创作。超现实主义雕塑比绘画、诗歌的发展要慢,因为用实体来表现幻化的空间是很难的。但是他们凭借丰富的想象力,在遵循雕塑本体语言的基础上对物象造型进行非理性的扭曲变形和非逻辑的并置,在空间构成上进行矛盾、怪诞的处理,塑造出富有想象的荒诞形象,并把荒诞的情境引入雕塑。本文以超现实主义雕塑的表现语言为切入点,通过分析一些具有代表性的超现实雕塑作品,从而总结出超现实主义雕塑语言的五个主要特点,分别是荒诞情境引入、表现与再现、物化的象征性、矛盾空间、诗意般的语境。我把这种自由而多样的雕塑语言运用到自己的创作实践,把超现实主义雕塑的物质性与想象性结合起来,来表达如几米的漫画、宫崎骏的电影中所呈现的童稚主题的情感,使作品中充满童真、稚气、纯朴的超现实境界,并唤醒人们久违的记忆。
[Abstract]:Surrealism is an important school of art originated in France in the 1920 s. Under the influence of Freud's psychoanalysis theory, surrealist artists advocate abandoning reason, refusing logical thinking and carrying out absolutely free artistic creation. Surrealist sculpture is slower than painting and poetry, because it is difficult to express illusory space with entity. However, with their rich imagination, on the basis of following the language of sculpture Noumenon, they make irrational distortion and illogical juxtaposition of object modeling, and deal with the contradiction and grotesque of spatial composition. Create imaginative absurd images and introduce absurd situations into sculptures. This paper takes the expression language of surrealist sculpture as the starting point, analyzes some representative surrealistic sculpture works, and summarizes the five main characteristics of surrealist sculpture language, which are the introduction of absurd situations. Expression and reproduction, materialized symbolism, contradictory space, poetic context. I applied this free and diverse sculpture language to my own creative practice, combining the materiality and imagination of surrealist sculptures to express the feelings of childish themes such as comics of a few meters and the childish themes presented in MiyazakiHayao's films. Make the work full of childlike, childish, simple surreal realm, and awaken people's long-lost memory.
【学位授予单位】：杭州师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J305

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