论《哆啦A梦》动漫中的科技异化与人化

发布时间：2018-01-09 15:11

本文关键词：论《哆啦A梦》动漫中的科技异化与人化　出处：《金华职业技术学院学报》2016年05期 　论文类型：期刊论文

【摘要】：《哆啦A梦》作为日本动漫中最经典的形象,影响了中国80后、90后整整两代人的记忆。而其中的主人公哆啦A梦与大熊及其他角色之间的关系恰巧反映了现代工业文明社会的科技异化与人化之间的张力对抗。一方面是大熊依赖哆啦A梦的道具,科技成为了统治人的工具,体现了科技异化;另一方面是动漫情节的感性化处理,设置了更多的人性化细节,使其体现为科技的异化与人化的动态张力存在。因此,《哆啦A梦》是科技异化与人化的统一体。
[Abstract]:"Doraemon" as the Japanese animation in the most classic image, affected China's post-80s. The relationship between Doraemon, the protagonist, the bear and other characters reflects the tension between the alienation of science and technology and humanization of modern industrial civilization. On the one hand, the relationship between Doraemon and the bears and other characters. On the one hand, there is a tension between the alienation of science and technology and humanization of modern industrial civilization. Bears rely on Doraemon's props. Science and technology has become the tool of ruling people, which embodies the alienation of science and technology; On the other hand, the emotional processing of animation plot, set up more human details, so that it is reflected in the alienation of science and technology and the existence of dynamic tension of humanization. Doraemon is the unity of alienation and humanization of science and technology.
【作者单位】：中山大学;东北师范大学;
【分类号】：J954
【正文快照】： 动漫《哆啦A梦:伴我同行》搬上电影荧屏以来,在80后、90后中掀起了一阵怀旧风。“2002年4月22日,美国《时代》周刊评选出25位最能代表亚洲形象的‘亚洲英雄’,日本五人上榜:棒球手铃木一郎、足球运动员中田英寿、电影导演北野武、作家小田实,以及唯一的非人类英雄——哆啦A梦

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