盗猎的游戏：国内影视字幕组文化研究

发布时间：2018-03-16 21:56

本文选题：字幕组　切入点：影视文化传播　出处：《西北大学》2011年硕士论文　论文类型：学位论文

【摘要】：字幕组是由影视动漫的爱好者所组成的专门翻译外国影视动漫作品的民间群体,它们通常以网络形式存在。在过去的十年中,中国的字幕组从无到有,取得了迅速发展。影视字幕组翻译发布的国外电影电视剧内容丰富、更新迅速、翻译风格多样,成为广大网民、尤其是年轻一代观众喜爱和支持的影视资源。字幕组不是中国所特有,它源起于国外,并且已经成为一种全球性文化现象。随着宽带网络、P2P与网盘下载、高清视频压缩等信息时代的新媒体技术的不断发展更新,培养观众产生看电影兴趣和习惯的媒介载体逐渐从“看碟”进化成“下载”。凭借丰富的内容供应、非商业性与娱乐化的工作态度以及资源共享意识,字幕组这种民间组织潜移默化地改变着中国普通观众的日常文化资源可行性选择与消费,使受众群体日益向多样化、多层次发展；与此同时,有关字幕组与“盗版”、“侵权”之间界限模糊的区分也成了字幕组遭受争议甚至打击的主要原因。本文以国内的中文字幕组为研究对象,第一部分阐明这一论题的缘起、核心问题和方法论；第二部分通过回顾字幕组的历史发展进程,将其与影视作品的传统翻译样态进行比较,总结与归纳字幕组翻译的特点；第三部分以字幕组对好莱坞电影和美剧进行翻译的实践作为主要研究对象,从三个方面对字幕组进行探讨：字幕组是后工业时代的公民意识的体现形式；字幕组的翻译文本给网络受众带来内聚性快感体验；作为网络“迷”群体的字幕组构建起了处在消费与“抵抗”之间的粉丝文化。第四部分阐述字幕组与电影文化产业的正反两方面影响,并通过对字幕组发展的新趋势的论述,对其未来的存在与发展模式进行理性预测。这四部分为我们全面认识字幕组这一非官方形式的影视翻译样态提供了相对全面的角度。
[Abstract]:The subtitle group is a private group of fans who specialize in translating foreign movies and anime works. They usually exist in the form of a network. In the past decade, Chinese subtitle groups have grown from scratch. The translation and release of foreign films and TV plays by the film subtitle group has become a mass of Internet users because of its rich content, rapid updating, and diverse translation styles. The subtitle group is not unique to China, it originated from abroad, and has become a global cultural phenomenon. With the development of new media technology in the information age, such as high-definition video compression, the media carrier that trains viewers to produce interest and habit of watching movies gradually evolves from "watching video" to "downloading". The non-commercial and recreational working attitude and the sense of resource sharing, the subtitle group, which is a folk organization, has changed the feasibility and consumption of the daily cultural resources of the ordinary Chinese audience, and has made the audience groups become more and more diversified. At the same time, the blurring distinction between subtitle group and "piracy" and "infringement" has also become the main reason why subtitle group suffers controversy and even attack. This paper takes the Chinese subtitle group in China as the research object. The first part explains the origin, core problems and methodology of the topic. The second part reviews the historical development process of the subtitle group. It compares with the traditional translation patterns of film and television works, summarizes and summarizes the characteristics of subtitle group translation. The third part focuses on the practice of subtitle group translation of Hollywood movies and American dramas as the main research object. This paper probes into the subtitle group from three aspects: the subtitle group is the embodiment of the civil consciousness in the post-industrial era, the translated text of the subtitle group brings the network audience the cohesive pleasure experience; As a group of "fans" on the Internet, the subtitle group has constructed a fan culture between consumption and resistance. Part 4th expounds the positive and negative effects of subtitle group and film culture industry, and discusses the new trend of the development of subtitle group. These four parts provide a relatively comprehensive perspective for us to fully understand the subtitle group as an unofficial form of film and television translation.
【学位授予单位】：西北大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J905

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