九十年代以来国产动画电影的文化观念演变

发布时间：2018-06-05 22:25

本文选题：国产动画电影 + 文化观念　；参考：《安徽工程大学》2012年硕士论文

【摘要】：中国动画电影诞生于上个世纪初,在世界舞台上曾获得过巨大的声誉,距今已有近百年的历史,可谓是源远流长。到90年代为止,中国动画电影历经两次发展高峰期,为后人留下了大量的传世作品,也为中华民族赢得了荣誉。而进入九十年代以后,国产动画电影由于国外动漫文化的冲击和产业改革的不适应期,在很长一段时间止步不前,失去了发展的方向,至今仍处于转型期之中。本论文是在经过本科至今对动画艺术近七年的学习与研究后,尝试从动画艺术文化观念的角度来反观九十年代以来国产动画电影的发展。并提出对国产动画电影在文化理念上的演变趋势的认识,最后对以恰当理念制作动画电影给出自己的看法。论文第一部分为绪论,介绍了写作本文的背景、意义、创新性和方法。本文结合国产动画的发展状况,以九十年代这一动画产业分水岭时期之后的国产动画电影为对象,用对经典影片的解析为基础,从而总结出动画文化观念的演变趋势,为动画电影的创作提供理论支持。第一章介绍了动画电影的概念和其承载的文化观念特征,并对本文中所指的“文化观念”做出了界定。本文中的文化观念特指动画电影这一文化事物的理念表象,而非广义的“文化观念”。动画电影作为动画产业的明星产品,凝聚了许多顶尖动画人的心血和劳动,代表着各时期动画制作的最高水平,有着重要的行业地位和巨大的产业价值。动画电影是一种文化产品,它理所当然的承载了制作人和时代赋予它的文化观念,各种不同文化观念上的倾向形成了风格迥异的作品。第二章概括介绍了我国动画电影的发展历程,并着重分析了九十年代这一国产动画电影的分水岭时期。从九十年代这一时间段起,国产动画电影走上了变革之路。从这一段时期开始进行研究,有着可供当今参考的时效性。第三章和第四章通过分析九十年代以来差异明显的两个时期中具有代表性的经典国产动画电影,进而总结出各个阶段国产动画电影的文化观念特点。着重讨论了不同年代国产动画电影作品在文化观念上的独特之处,为了解国产动画电影的文化立意发展趋势提供依据。第五章对动画电影的文化观念也具有时代变迁性进行总结,并对演变的趋势给出了自己的看法。了解这种变迁自身的原因和规律,对今后国产动画电影的发展有很大的指导意义。最后,针对实际问题,给出应对策略,主张以符合民族特征、符合全面的观众群体、结合时尚的思路来提高国产动画电影的文化价值和影片质量。
[Abstract]:The Chinese animation film was born in the beginning of the last century , and has gained great reputation on the world stage . It has been a long history of nearly a hundred years . Since the 1990 ' s , China ' s animation film has been developing in two times and has won the honor of the Chinese nation .

The first part of the thesis is preface , introduces the background , meaning , innovation and method of writing this paper . Combining with the development of domestic animation , this paper takes the domestic animation film after the watershed period of the animation industry in the 1990s as the object , and uses the analysis of classic films as the basis , so as to summarize the evolution trend of animation culture idea , and provide theoretical support for the creation of animation films .

The first chapter introduces the concept of animation film and its cultural conception , and defines the concept of culture in this paper . The cultural idea in this paper refers to the concept of cartoon film as the star product of animation industry , rather than a broad sense of culture idea .

The second chapter provides an overview of the development course of China ' s animation film , and analyzes the watershed period of China ' s domestic animation film in the 1990s . From the 1990 ' s , China - made animated film took the road of change . From this period of time , research has been carried out , which has the timeliness of reference .

In chapter 3 and chapter 4 , by analyzing the typical domestic animation films in the two periods , which have been marked by the difference in the 1990s , the characteristics of the cultural concept of domestic animation films in each stage are summarized . The unique place of domestic animation films in different times is discussed , and the basis for understanding the development trend of domestic animation films is given .

The fifth chapter summarizes the cultural concepts of animation films , and gives their own views on the trend of the evolution . It is of great significance to the development of domestic animation films . Finally , according to the practical problems , this paper puts forward strategies for coping with the national characteristics , conforms to the comprehensive audience group , and combines the fashion ideas to improve the cultural value and the film quality of the domestic animation films .
【学位授予单位】：安徽工程大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J954

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