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幻觉世界里的真实生命—由《犬夜叉》的编创探析动漫前期策划的重要性

发布时间:2018-06-10 07:56

  本文选题:前期策划 + 剧本 ; 参考:《上海戏剧学院》2012年硕士论文


【摘要】:1956年,日本东映动画股份有限公司采用了美国的动漫分工协作体系,,结束了个体独揽全部流程和手工作坊式的动漫生产方式。日本动漫制作分工不断地被细化、复杂化,产业链流程也不断地完整、趋于合理化。直至今日,现代动漫成品是由不同性质的企业从事各步骤专门工作而互相协作完成的。由于各国的动漫发展历程和阶段不同,目前形成日本和美国两种不尽相同的动漫制作流程。以日本动漫制作为例,流程总体分为前期、中期和后期三个制作阶段。前期制作处于制作流程的上游,很大程度上决定着动漫作品起始的创意和风格确立,包括重要的剧本撰写、角色设计和分镜头设计三大方面。因此,日本负责动漫策划工作的公司给予前期策划以高度重视。本文从日本一部经典的动画长片《犬夜叉》入手,通过对《犬夜叉》的动漫作品在编创环节上的探析,梳理出策划故事的叙事主题和角色刻画的成功之处,提炼出动漫前期策划的重要性。个人认为借鉴成功案例的前期操作经验,在一定程度上可以为中国动画的发展提供宝贵的经验和启迪,并提出动漫前期策划阶段应该加强剧本策略和角色策划的看法。
[Abstract]:In 1956, Japan Dongying Animation Co., Ltd. adopted the American animation division and cooperation system, which ended the process of individual monopolization and manual animation production. Japanese animation production division of labor has been refined, complex, industrial chain process is also constantly complete, tend to rationalize. Up to now, the modern animation finished products by different nature of enterprises engaged in various steps of specialized work and collaboration. Due to the different development process and stages of animation in different countries, there are two different animation production processes in Japan and the United States. Japanese animation production as an example, the process is divided into the Prophase, mid-term and post-three production stages. Prophase production is in the upstream of the production process, which largely determines the creation and style establishment of animation works, including important script writing, character design and lens design. Therefore, Japan is responsible for animation planning companies to give high priority to early planning. This article starts with a classic animated feature film < Invyasha > in Japan, through the analysis of the editing and creation of the animation works of < Invyasha >, combing out the narrative theme of the planning story and the success of the portrayal of the characters. Extract the importance of early animation planning. The author thinks that drawing lessons from the previous operation experience of successful cases can provide valuable experience and enlightenment for the development of Chinese animation to a certain extent, and puts forward the view that the script strategy and character planning should be strengthened in the early stage of animation planning.
【学位授予单位】:上海戏剧学院
【学位级别】:硕士
【学位授予年份】:2012
【分类号】:J954

【共引文献】

相关期刊论文 前1条

1 何小海,张静容;试论新时期大学生形象塑造的必要性和实现途径[J];漳州职业技术学院学报;2005年02期



本文编号:2002511

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