IM表情与影视动画形象的比较研究

发布时间：2018-06-29 15:58

本文选题：IM表情 + 影视动画形象　；参考：《山东工艺美术学院》2012年硕士论文

【摘要】：我们正处在一个视觉传媒高度发展的时代，对于当下大众来说，接受媒体信息已经成为人们社会生活的重要内容，特别是互联网的产生，使人们的生活与沟通方式发生了翻天覆地的变化，并由此形成了一种新的文化现象——网络文化。伴随着网络交流的深入，IM表情作为网络文化中一种独特的网络语言，在网络即时通讯中扮演着重要的角色，并利用自己独特的情感表达方式，为越来越多的人熟知并广泛使用。随着科技的不断进步，IM表情的设计也由表情字符逐渐向动画表情符号，成为动画形象中的一员，它的产生和存在与影视动画形象有着千丝万缕的联系。本论文通过研究发现，IM表情与影视动画形象有许多共性和差异。作为网络媒介的宠儿，同时也是一种特殊的动画形象，IM表情凭借影视动画形象无法比拟的高速传播特性，在一定程度上打破了中国动漫业长久的制度沉迷。然而，IM表情更新换代过快，用户难以培养长期使用同一形象的惯性，这种昙花一现的特性显然无法与经典影视动画形象顽强的生命力和持久力抗衡。因此，通过IM表情与影视动画形象的比较研究，探究如何更好的发展IM表情是本文研究的主要目的。本文采取文献检索、理论与实践相结合及比较学的研究方法，创造性地从艺术、技术、风格及意义等方面对IM表情与影视动画形象进行比较研究，并分析差异的原因，旨在从理论上探究IM表情优势和弊端，提出解决方案，总结出IM表情未来的发展趋势。全文共三章，另有绪论与结语不计章节。在绪论部分，笔者主要对IM表情与影视动画形象的研究背景进行梳理，，并阐释了IM表情与影视动画形象的基本概念，说明了本研究的意义所在。通过对目前国内外研究现状的分析，归纳与总结了全文的研究思路和内容，并对研究范畴进行了界定，提出了本文的创新点。第一章题为“IM表情与影视动画形象的共性”，分别从艺术基础、艺术特征及符号特征方面总结出两者的共性，阐明IM表情与影视动画形象都是一种视觉符号。第二章题为“IM表情与影视动画形象的差异”，分别从两者的历史发展的差异、概念的不同以及技术实现方式、传播载体、符号意义的区别等方面，对两者进行对比，从而为更好地分析出IM表情的不足提供了理论支持。第三章题为“IM表情所面临的问题及其解决方案”，根据前两章有关IM表情与影视动画形象的比较研究，深入分析了IM表情发展现状以及目前存在的一些问题，并提出了合理的建议，预测了未来的发展趋势。
[Abstract]:We are in the era of high development of visual media. For the public at present, accepting media information has become an important part of people's social life, especially the emergence of the Internet. It makes people's life and communication way change dramatically, and forms a new cultural phenomenon-network culture. With the development of network communication, as a unique network language in network culture, IM expression plays an important role in network instant communication, and it is widely used by more and more people. With the development of science and technology, the design of IM emoji has gradually changed from the emoji to the animated emoji, and has become a member of the animation image. Its emergence and existence are inextricably related to the animation image of the film and television. In this paper, we find that there are many similarities and differences between the movie-animation image and the movie-animation image. As the favorite of the network media, it is also a special animation image, which can not be compared with the film and television animation image, which breaks the long-lasting system addiction of the Chinese animation industry to a certain extent. However, it is difficult for users to cultivate the inertia of using the same image for a long time because of the rapid updating of IM expression. This short-lived feature obviously cannot compete with the tenacious vitality and persistence of the classic movie and television animation image. Therefore, the main purpose of this paper is to explore how to develop IM expression better through the comparative study of IM expression and movie animation image. This paper adopts the research methods of literature retrieval, theory and practice, and comparative study, creatively makes a comparative study of IM expression and movie animation image from the aspects of art, technology, style and significance, and analyzes the reasons for the difference. The aim of this paper is to explore the advantages and disadvantages of IM expression theoretically, put forward solutions and summarize the developing trend of IM expression in the future. There are three chapters in the full text, and the introduction and conclusion are not counted. In the introduction part, the author mainly combs the research background of IM expression and movie animation image, explains the basic concept of IM expression and movie animation image, and explains the significance of this study. Based on the analysis of the current research situation at home and abroad, this paper summarizes the research ideas and contents of the full text, defines the scope of the research, and puts forward the innovative points of this paper. The first chapter is entitled "the commonness of the image of IM expression and movie animation", which summarizes the commonness of them from the aspects of artistic foundation, artistic characteristics and symbolic characteristics, and clarifies that IM expression and movie animation image are both visual symbols. The second chapter is entitled "the difference between IM expression and movie animation image", respectively from the historical development of the two differences, different concepts and technical implementation, communication carrier, the difference of symbolic meaning, etc. Thus, it provides theoretical support for better analysis of IM expression deficiency. The third chapter is entitled "the problem that IM expression faces and its solution". According to the comparative research of the former two chapters about IM expression and movie animation image, the paper deeply analyzes the current situation of IM expression development and some problems existing at present. Some reasonable suggestions are put forward and the development trend in the future is forecasted.
【学位授予单位】：山东工艺美术学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J954

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