宫崎骏动画电影的日本民族审美特质
发布时间：2018-07-17 17:00
【摘要】：宫崎骏,世界的“动漫诗人”,代表了日本动画的质量与内涵的一个高峰。他在动画这种被认为是小孩子的娱乐当中加入了深切的人文关怀和环保意识,提升了动画片的高度。因为动画中外显的和内在的日本文化特色,他成为日本人引以为豪的民族文化象征。 文化与动画关系密切。在宫崎骏充满日本风味的动画电影里,体现了浓厚的日本民族审美特质。其中,日本文化中的森林思想,信奉神灵的思维模式,以及日本人心灵的美这三个日本审美文化中的特质,在宫崎骏动画电影中有着显著体现。 论文通过动画、文化、日本民族审美的角度,运用文化学、美学、电影学的相关理论,采取电影文本解读与理论演绎相结合的方式,分析宫崎骏的九部代表动画电影,探讨他电影中所蕴含的日本民族审美特质。第一部分,是对宫崎骏的个人履历、他所拍摄的电影、以及对他影响甚大的优秀动画片的介绍；第二部分,从动画与文化的关系入手,引出宫崎骏本人以及他所拍摄的动画电影与日本民族文化、日本审美的深刻联系；第三部分,解读宫崎骏电影中体现的日本人的森林思想,其中包括三方面：树木崇拜、对植物生命的赞美、破坏森林等；第四部分,探讨宫崎骏动画中呈现的万物有灵的思维模式,探寻精灵与妖怪的世界,解读日本敬重神灵的思想；第五部分,是对日本人心的文化,人与自然的融合以及内心的善的论述。
[Abstract]:MiyazakiHayao, the world's "animation poet", represents the quality and connotation of Japanese animation a peak. He adds deep humanistic care and environmental awareness to animation, which is regarded as the entertainment of children, and elevates the height of animation. Because of the Chinese and foreign animation and internal Japanese cultural characteristics, he became a proud symbol of Japanese national culture. Culture is closely related to animation. In the MiyazakiHayao animation film full of Japanese flavor, reflects the strong aesthetic characteristics of the Japanese nation. Among them, the forest thought in Japanese culture, the thinking mode of believing in the gods and the beauty of the Japanese soul are the characteristics of the Japanese aesthetic culture, which are obviously reflected in the MiyazakiHayao animated movies. From the angle of animation, culture and Japanese national aesthetics, using the relevant theories of culturology, aesthetics and cinematology, the paper analyzes the nine representative animated movies of MiyazakiHayao by combining the interpretation of film text with the theoretical deduction. To explore the aesthetic characteristics of the Japanese nation contained in his films. The first part is about MiyazakiHayao's personal history, the films he made, and the introduction to the excellent animation that greatly influenced him. The second part, starting with the relationship between animation and culture, MiyazakiHayao himself and his animated films are deeply related to Japanese national culture and Japanese aesthetics. The third part interprets the Japanese forest thought embodied in MiyazakiHayao film, which includes three aspects: tree worship, The fourth part discusses the animate mode of thinking in MiyazakiHayao animation, explores the world of elves and monsters, and interprets the Japanese thought of respecting gods. It is a discussion of the culture of Japanese people, the fusion of man and nature, and the goodness of heart.
【学位授予单位】：暨南大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J954
本文编号：2130310
[Abstract]:MiyazakiHayao, the world's "animation poet", represents the quality and connotation of Japanese animation a peak. He adds deep humanistic care and environmental awareness to animation, which is regarded as the entertainment of children, and elevates the height of animation. Because of the Chinese and foreign animation and internal Japanese cultural characteristics, he became a proud symbol of Japanese national culture. Culture is closely related to animation. In the MiyazakiHayao animation film full of Japanese flavor, reflects the strong aesthetic characteristics of the Japanese nation. Among them, the forest thought in Japanese culture, the thinking mode of believing in the gods and the beauty of the Japanese soul are the characteristics of the Japanese aesthetic culture, which are obviously reflected in the MiyazakiHayao animated movies. From the angle of animation, culture and Japanese national aesthetics, using the relevant theories of culturology, aesthetics and cinematology, the paper analyzes the nine representative animated movies of MiyazakiHayao by combining the interpretation of film text with the theoretical deduction. To explore the aesthetic characteristics of the Japanese nation contained in his films. The first part is about MiyazakiHayao's personal history, the films he made, and the introduction to the excellent animation that greatly influenced him. The second part, starting with the relationship between animation and culture, MiyazakiHayao himself and his animated films are deeply related to Japanese national culture and Japanese aesthetics. The third part interprets the Japanese forest thought embodied in MiyazakiHayao film, which includes three aspects: tree worship, The fourth part discusses the animate mode of thinking in MiyazakiHayao animation, explores the world of elves and monsters, and interprets the Japanese thought of respecting gods. It is a discussion of the culture of Japanese people, the fusion of man and nature, and the goodness of heart.
【学位授予单位】：暨南大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J954
【引证文献】
相关硕士学位论文 前2条
1 朱菁;解读宫崎骏商业动画电影：文本特征和受众解读[D];南京大学;2012年
2 张培培;日本动物主题电影研究[D];华中师范大学;2013年
，本文编号：2130310
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