论宫崎骏动画作品表现的生态意识
发布时间：2018-07-17 20:56
【摘要】：作为一种艺术样式,动画从漫画中发展而来,从原始洞穴壁画发源存留至今,在其绵延不绝的历史发展和现实生成过程中不断丰富和完善。日本动画电影以其鲜明的民族特色、独具个性且夸张的艺术风格在世界动画电影发展中正形成可与迪斯尼动画抗衡的规模及影响力,而宫崎骏的动画电影更是以其深沉的人文内涵和贯穿始终的生态意识,在充斥着色情、暴力的日本动画界独树一帜。宫崎骏的动画电影关注人性、环境、自然、命运等宏大课题,关注全世界所面临的生态危机,以及由此产生的现代人的生存困境,生态意识几乎贯穿了他的一系列作品。 本文在分析生态意识表现的基础上,解析宫崎骏立足文化传统,依托动画这种大众文化样式,借助市场和现代科技等手段体现人文关怀,将人类精神救赎进行到底的追求,并在此分析基础上,对同处于东方文化圈的中国动画给予反思。 本论文包括导论、正文(四章)、结语几个部分： 导论部分说明选题的缘由,梳理国内外相关宫崎骏的研究现状,介绍本论文研究的目的和创新点。第一章介绍宫崎骏及其动画作品,并结合动画业的勃兴揭示动画电影作为大众文化产品面临的一系列问题,凸显经济利益驱使下大众文化产品人文关怀的缺失。第二章分析宫崎骏动画作品的艺术特色,并相应分析宫崎骏作品思想内容上的重要特色,也是他取得成功的最关键因素——生态观念的植入。第三章是论文的核心部分。首先从自然生态和社会生态等方面揭示现代人的生存困境,其次对宫崎骏动画电影表现的生态意识进行具体分析、论证。第四章从传统文化、市场、现代科技、人文关怀等方面探讨宫崎骏的动画精神,以期对我国动画电影的创作和发展起到借鉴和启示的作用。结语进一步梳理全文的写作思路,围绕宫崎骏动画的生态意识表现这一主题深化本论文研究的目的,强调现今以高科技为手段、以市场为依托的文化产品只有注重人文关怀,满足现代人的精神需求,才能在社会效益和经济效益上双赢。
[Abstract]:As a kind of artistic style, animation has been developed from comic books. From the origin of original cave murals, it has been enriched and perfected in the course of its continuous historical development and realistic generation. With its distinctive national characteristics and unique and exaggerated artistic style, Japanese animated films are developing into a scale and influence that can compete with Disney animation in the development of the world's animated films. MiyazakiHayao's animation film is unique in Japanese painting circles with its deep humanistic connotation and ecological consciousness. MiyazakiHayao's animated films focus on human nature, environment, nature, fate and other grand issues, pay attention to the ecological crisis the world faces, and the plight of modern people's existence. Ecological consciousness almost runs through his series of works. On the basis of analyzing the expression of ecological consciousness, this paper analyzes that MiyazakiHayao is based on cultural tradition, relying on animation as a popular cultural style, embodying humanistic concern by means of market and modern science and technology, and carrying on the pursuit of human spiritual salvation to the end. And on the basis of this analysis, the same in the oriental cultural circle of Chinese animation to give reflection. This paper includes introduction, main body (four chapters), conclusion several parts: the introduction part explains the reason of choosing the topic, combs the domestic and foreign related MiyazakiHayao research present situation, introduces the purpose and the innovation point of this thesis research. The first chapter introduces MiyazakiHayao and his animation works, and combined with the booming animation industry to reveal a series of problems that animation film faces as a mass cultural product, which highlights the lack of humanistic care of mass cultural products driven by economic interests. The second chapter analyzes the artistic characteristics of MiyazakiHayao animation works, and analyzes the important characteristics of MiyazakiHayao works, which is the most important factor of his success-the implantation of ecological concept. The third chapter is the core of the thesis. Firstly, it reveals the plight of modern people from the aspects of natural ecology and social ecology, and then analyzes and demonstrates the ecological consciousness of MiyazakiHayao animation film. The fourth chapter discusses the animation spirit of MiyazakiHayao from the aspects of traditional culture, market, modern science and technology, humanistic care and so on, in order to draw lessons from and enlighten the creation and development of animation films in China. The conclusion further combs the full text writing thought, around the MiyazakiHayao animation ecological consciousness performance this theme deepens this thesis research goal, emphasizes the present takes the high technology as the means, the market as the support cultural product only pays attention to the humanities concern, Meet the spiritual needs of modern people, in order to social and economic benefits win-win.
【学位授予单位】：云南大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J954
[Abstract]:As a kind of artistic style, animation has been developed from comic books. From the origin of original cave murals, it has been enriched and perfected in the course of its continuous historical development and realistic generation. With its distinctive national characteristics and unique and exaggerated artistic style, Japanese animated films are developing into a scale and influence that can compete with Disney animation in the development of the world's animated films. MiyazakiHayao's animation film is unique in Japanese painting circles with its deep humanistic connotation and ecological consciousness. MiyazakiHayao's animated films focus on human nature, environment, nature, fate and other grand issues, pay attention to the ecological crisis the world faces, and the plight of modern people's existence. Ecological consciousness almost runs through his series of works. On the basis of analyzing the expression of ecological consciousness, this paper analyzes that MiyazakiHayao is based on cultural tradition, relying on animation as a popular cultural style, embodying humanistic concern by means of market and modern science and technology, and carrying on the pursuit of human spiritual salvation to the end. And on the basis of this analysis, the same in the oriental cultural circle of Chinese animation to give reflection. This paper includes introduction, main body (four chapters), conclusion several parts: the introduction part explains the reason of choosing the topic, combs the domestic and foreign related MiyazakiHayao research present situation, introduces the purpose and the innovation point of this thesis research. The first chapter introduces MiyazakiHayao and his animation works, and combined with the booming animation industry to reveal a series of problems that animation film faces as a mass cultural product, which highlights the lack of humanistic care of mass cultural products driven by economic interests. The second chapter analyzes the artistic characteristics of MiyazakiHayao animation works, and analyzes the important characteristics of MiyazakiHayao works, which is the most important factor of his success-the implantation of ecological concept. The third chapter is the core of the thesis. Firstly, it reveals the plight of modern people from the aspects of natural ecology and social ecology, and then analyzes and demonstrates the ecological consciousness of MiyazakiHayao animation film. The fourth chapter discusses the animation spirit of MiyazakiHayao from the aspects of traditional culture, market, modern science and technology, humanistic care and so on, in order to draw lessons from and enlighten the creation and development of animation films in China. The conclusion further combs the full text writing thought, around the MiyazakiHayao animation ecological consciousness performance this theme deepens this thesis research goal, emphasizes the present takes the high technology as the means, the market as the support cultural product only pays attention to the humanities concern, Meet the spiritual needs of modern people, in order to social and economic benefits win-win.
【学位授予单位】：云南大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J954
【参考文献】
相关期刊论文 前10条
1 游智皓;宫崎骏奇幻世界初旅[J];北京电影学院学报;2003年03期
2 [榭，
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