《哪吒闹海》的角色造型设计对动漫民族化的启示
发布时间:2018-09-01 11:41
【摘要】: 角色造型是一部动画作品的灵魂,没有它就没有动画存在的意义。角色的造型设计往往是一部作品的关键所在,它不仅主导着整个动画的情节、风格和趋势还是一部动画作品成功的基础。由此可见角色造型在动画中的重要性了。 中国动画曾有过辉煌的历史,接下来那些年中国动画却陷入了沉寂。目前,中国的动画市场逐渐繁荣起来,无论是漫画书还是动画片其数量之多,内容之丰富是前所未有的。然而,能让观众过目难忘的角色造型往往不是日本的就是美国的,几乎没有中国自己的。 本文的研究主题是从一部具有中国特色的动画片《哪吒闹海》着手进行分析,寻求本土动画新的发展道路。《哪吒闹海》是我国动画史上的一个里程碑,其影片的角色造型是从我国民间年画、戏曲人物脸谱等多方面汲取营养,巧妙融会贯通,兼收并蓄,以夸张的手法突出了角色的性格。论文对影片的角色造型的分析,是从性格特征、外型、服饰、配饰、色彩等角度出发,研究总结了这部影片通过角色造型对文化内涵、民族风格的成熟运用。通过对其角色造型设计的分析,挖掘出中国传统文化中民族性的元素符号在动画造型设计中的应用方式,为动画造型的设计根植于本土文化,创造出真正具有民族特色的动画角色造型以启迪。
[Abstract]:Character modeling is the soul of an animated work, without which there is no meaning of animation. Character modeling design is often the key of a work, it not only dominates the plot, style and trend of the whole animation, but also the foundation of a successful animation work. This shows the importance of character modeling in animation. Chinese animation has a glorious history, the following years of Chinese animation has fallen into silence. At present, China's animation market is booming, whether comic books or animation its number, content is unprecedented. However, the characters that make the audience unforgettable are often Japanese or American, almost no Chinese own. The research theme of this paper is to start with the analysis of Nezha, an animated film with Chinese characteristics, in order to find a new way for the development of local animation, which is a milestone in the history of animation in China. The character modeling of its film is to draw nutrients from folk paintings, drama characters' faces, and so on, skillfully integrated, eclectic, with exaggerated means to highlight the character of the character. This paper analyzes the character modeling of the film from the aspects of character, appearance, dress, accessories, color and so on, and summarizes the mature application of the cultural connotation and national style of the film through the role modeling. Based on the analysis of the character modeling design, this paper excavates the application way of the national element symbol in Chinese traditional culture in the animation modeling design, which is rooted in the native culture for the animation modeling design. Create a real national characteristics of the animation character modeling to inspire.
【学位授予单位】:西安理工大学
【学位级别】:硕士
【学位授予年份】:2009
【分类号】:J954
本文编号:2217092
[Abstract]:Character modeling is the soul of an animated work, without which there is no meaning of animation. Character modeling design is often the key of a work, it not only dominates the plot, style and trend of the whole animation, but also the foundation of a successful animation work. This shows the importance of character modeling in animation. Chinese animation has a glorious history, the following years of Chinese animation has fallen into silence. At present, China's animation market is booming, whether comic books or animation its number, content is unprecedented. However, the characters that make the audience unforgettable are often Japanese or American, almost no Chinese own. The research theme of this paper is to start with the analysis of Nezha, an animated film with Chinese characteristics, in order to find a new way for the development of local animation, which is a milestone in the history of animation in China. The character modeling of its film is to draw nutrients from folk paintings, drama characters' faces, and so on, skillfully integrated, eclectic, with exaggerated means to highlight the character of the character. This paper analyzes the character modeling of the film from the aspects of character, appearance, dress, accessories, color and so on, and summarizes the mature application of the cultural connotation and national style of the film through the role modeling. Based on the analysis of the character modeling design, this paper excavates the application way of the national element symbol in Chinese traditional culture in the animation modeling design, which is rooted in the native culture for the animation modeling design. Create a real national characteristics of the animation character modeling to inspire.
【学位授予单位】:西安理工大学
【学位级别】:硕士
【学位授予年份】:2009
【分类号】:J954
【参考文献】
相关期刊论文 前2条
1 袁恩培;李伟敏;;动画角色塑造中的服饰设计[J];电影文学;2008年02期
2 李祥林;;哪吒神话和莲花母题[J];民族艺术;2008年01期
相关硕士学位论文 前5条
1 王红;动画角色视觉形象研究[D];武汉理工大学;2006年
2 袁铨;关于日本动漫文本模式化的研究[D];中国传媒大学;2007年
3 龚琦芳;中国动画角色设计民族化研究[D];湖北美术学院;2007年
4 吕桦;从经典的动画角色造型看中国动画的未来发展[D];湖北美术学院;2007年
5 余孟杰;中国传统艺术造型元素在动画角色设计中的运用研究[D];武汉理工大学;2007年
,本文编号:2217092
本文链接:https://www.wllwen.com/wenyilunwen/dongmansheji/2217092.html