日本动画暴力研究
发布时间：2018-10-17 18:37
【摘要】： 日本动画片以其精彩的故事情节、错落有致的叙事结构、丰富的人物形象和语言、多变的绘画色彩和风格等被广大的观众所认知和喜爱,特别是得到了全世界越来越多的青少年的推崇。日本近几年来每年动漫产业的净利润平均可达4.5亿美元,占全世界范围内动漫利润的一半还多。据日本经济产业省的统计显示,在全世界放映的动画片中有近六成是日本制造的。 但是,在文化上具有巨大号召力、经济上出尽风头的日本动画片,却无法回避暴力、战争、军国主义的主题。如今,已经有越来越多的学者注意并谴责日本动画片在视觉上的“暴力美学”倾向和暴力场景背后隐含的危险的意识形态。日本动画片充斥着暴力的画面提供给青少年扭曲的世界观,改变了青少年对现实的看法,使青少年相信暴力是正常的,而且经常可见的。同时受本民族独特的地理、历史、文化的影响,日本某些危险的意识形态也隐藏其中。 动画片以日本强大的经济实力为后盾,通过大众媒介播放的形式将日本主流的价值观、意识形态潜移默化地传递给受众。这种强势文化的输入和渗透,对受众的影响更隐蔽且深远,使受众在对文化消费的过程中失去了批判的意识,在侵蚀我们本民族文化的同时,产生一系列严重的后果。 日本含有负面甚至糟粕的意识形态、通过动画片的形式输入和渗透,对我国的青少年受众和本民族的文化产生巨大且深远的影响,我们要警惕和批判——本文写作的意义也在于此。对于本文将要探讨的体现了暴力、军国主义等文化糟粕的动画作品,我们应该以认真的态度阻断它的传播,摒弃它的负面影响。作为动漫主要的受众,再加上自身有限的辨别能力,青少年受众更应该避免涉猎这类动画片。 本论文遵循由浅入深、由表及里,层层深入的原则,将量化研究和质化研究有机结合,将暴力和军国主义的文化形态及其成因分析有机结合。在方法上更科学、更严谨、更客观,在内容上更具体、更有针对性、更全面。 本文的前半部分使用了量化分析的方法,遵循着严格的概念界定、抽样、编码表设计、软件分析等过程,得出的数据和图表可以更客观、直接地展现日本动画中暴力严重程度和暴力存在的特征;用编码表相关变量之间的交叉关系,更有力地阐述日本动画片暴力场景的性质和寓意。这种方法在日本动画暴力的研究方面还没有使用过。 本文后半部分应用符号学、传播学、跨文化传播等理论知识,对日本动画片的暴力场景背后的文化内涵进行分析。通过典型暴力场景的个案分析,阐释日本“以男性为主导”的社会、“军国主义”文化形态在动画中的表现并从地理因素、神道教、武士道的影响和战后以文学为代表的日本文化对战争反思的影响四个方面分析其产生的原因。进而以警惕日本动画文化霸权作结。
[Abstract]:Japanese cartoons have been recognized and loved by the general audience for their wonderful storylines, fragmented narrative structure, rich characters and language, varied painting colors and styles, etc. Especially by more and more young people all over the world. In recent years, the average annual net profit of Japan's animation industry can reach $450 million, accounting for more than half of the worldwide animation profits. According to statistics from Japan's Ministry of economy, Trade and Industry, nearly 60 percent of the cartoons shown in the world are made in Japan. However, the Japanese animation, which has a great appeal in culture and economic prowess, can not avoid the themes of violence, war and militarism. Nowadays, more and more scholars have paid attention to and condemned the visual tendency of "violent aesthetics" and the dangerous ideology behind the scenes of violence in Japanese cartoons. The images of Japanese cartoons filled with violence provide young people with distorted world views, changing their perception of reality and convincing them that violence is normal and often visible. At the same time, influenced by the unique geography, history and culture of the nation, some dangerous ideologies of Japan are also hidden. With Japan's strong economic strength as its backing, the cartoon conveys Japanese mainstream values and ideology to the audience in the form of mass media broadcasting. The input and infiltration of this strong culture have a more subtle and far-reaching influence on the audience, which makes the audience lose the critical consciousness in the process of cultural consumption, and at the same time, it has a series of serious consequences while eroding our national culture. Japan contains negative and even dregs of ideology, through the form of animation input and infiltration of our young people and the culture of our nation has a huge and far-reaching impact. We should be vigilant and critical-this is the meaning of this writing. For the animation works which reflect the culture dregs such as violence, militarism and so on, we should seriously block its dissemination and abandon its negative influence. As the main audience of animation, coupled with their limited ability to distinguish, teenagers should avoid such cartoons. Following the principle of from shallow to deep, from surface to interior, this paper combines quantitative research with qualitative research and the cultural form of violence and militarism as well as the analysis of its causes. More scientific, more rigorous, more objective, more specific in content, more targeted, more comprehensive. The first half of this paper uses the method of quantitative analysis, following the strict concept definition, sampling, coding table design, software analysis, etc., the resulting data and charts can be more objective. It directly shows the severity of violence and the characteristics of violence in Japanese animation, and illustrates the nature and meaning of violence scene of Japanese animation more forcefully by using the cross relation between the related variables in the coding table. This method has not been used in the study of Japanese animation violence. In the second half of this paper, we analyze the cultural connotations behind the violent scenes of Japanese cartoons with the theoretical knowledge of semiotics, communication and cross-cultural communication. Through the case analysis of typical violent scenes, this paper explains the expression of Japanese "male-dominated" society, "militarism" cultural form in animation and from geographical factors, Shinto, The influence of Bushido and the influence of Japanese culture represented by literature on war introspection are analyzed in four aspects. And then to guard against Japanese animation cultural hegemony as the conclusion.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J954
本文编号：2277595
[Abstract]:Japanese cartoons have been recognized and loved by the general audience for their wonderful storylines, fragmented narrative structure, rich characters and language, varied painting colors and styles, etc. Especially by more and more young people all over the world. In recent years, the average annual net profit of Japan's animation industry can reach $450 million, accounting for more than half of the worldwide animation profits. According to statistics from Japan's Ministry of economy, Trade and Industry, nearly 60 percent of the cartoons shown in the world are made in Japan. However, the Japanese animation, which has a great appeal in culture and economic prowess, can not avoid the themes of violence, war and militarism. Nowadays, more and more scholars have paid attention to and condemned the visual tendency of "violent aesthetics" and the dangerous ideology behind the scenes of violence in Japanese cartoons. The images of Japanese cartoons filled with violence provide young people with distorted world views, changing their perception of reality and convincing them that violence is normal and often visible. At the same time, influenced by the unique geography, history and culture of the nation, some dangerous ideologies of Japan are also hidden. With Japan's strong economic strength as its backing, the cartoon conveys Japanese mainstream values and ideology to the audience in the form of mass media broadcasting. The input and infiltration of this strong culture have a more subtle and far-reaching influence on the audience, which makes the audience lose the critical consciousness in the process of cultural consumption, and at the same time, it has a series of serious consequences while eroding our national culture. Japan contains negative and even dregs of ideology, through the form of animation input and infiltration of our young people and the culture of our nation has a huge and far-reaching impact. We should be vigilant and critical-this is the meaning of this writing. For the animation works which reflect the culture dregs such as violence, militarism and so on, we should seriously block its dissemination and abandon its negative influence. As the main audience of animation, coupled with their limited ability to distinguish, teenagers should avoid such cartoons. Following the principle of from shallow to deep, from surface to interior, this paper combines quantitative research with qualitative research and the cultural form of violence and militarism as well as the analysis of its causes. More scientific, more rigorous, more objective, more specific in content, more targeted, more comprehensive. The first half of this paper uses the method of quantitative analysis, following the strict concept definition, sampling, coding table design, software analysis, etc., the resulting data and charts can be more objective. It directly shows the severity of violence and the characteristics of violence in Japanese animation, and illustrates the nature and meaning of violence scene of Japanese animation more forcefully by using the cross relation between the related variables in the coding table. This method has not been used in the study of Japanese animation violence. In the second half of this paper, we analyze the cultural connotations behind the violent scenes of Japanese cartoons with the theoretical knowledge of semiotics, communication and cross-cultural communication. Through the case analysis of typical violent scenes, this paper explains the expression of Japanese "male-dominated" society, "militarism" cultural form in animation and from geographical factors, Shinto, The influence of Bushido and the influence of Japanese culture represented by literature on war introspection are analyzed in four aspects. And then to guard against Japanese animation cultural hegemony as the conclusion.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J954
【引证文献】
相关期刊论文 前1条
1 蒋超迪;苟坤;;浅论日本动漫元素“腹黑”的语义及其特点[J];乐山师范学院学报;2013年02期
，本文编号：2277595
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