数字时代中国水墨动画的传承与发展

发布时间：2018-11-05 08:02

【摘要】：水墨动画片是中国动画艺术家在20世纪60年代初独创的一种动画艺术形式,它以传统的中国水墨画技法的表现形式作为动画人物造型和环境空间造型的基本表达方式,并且运用动画逐格拍摄的特殊处理技术把水墨画造型拍摄下来,通过连续放映在屏幕上形成浓淡虚实的活动影像,如《小蝌蚪找妈妈》、《山水情》等一批经典水墨动画片。中国水墨动画片在国际动画领域为中国动画赢得了“中国学派”的美誉,这和其意境悠远、诗情画意、质朴隽永、清新淡雅的特点是分不开的。但是,进入20世纪90年代以来,由于市场经济和商业动画的兴起,传统水墨动画由于其复杂的设计制作工艺,很难在短时间内进行大批量设计制作,难以满足观众日益增长的影视文化需求,再加上日、美等一些动漫强国的影视文化倾销,严重影响了我国观众的欣赏趣味,这些因素导致了水墨动画的衰落,中国水墨动画开始进入发展低潮。数字技术自20世纪末以来进入了高速发展期,这使得国内一些动画创作者通过计算机或者其它数字技术操作平台来进行水墨动画的创作,试图复兴水墨动画曾经的辉煌,并最终取得了一些成绩。但是,数字动画创作者往往具有较高的操作数字技术平台的能力,而缺少必要的水墨画素养,数字水墨动画的整体创作水平不高,再加上目前国内的数字水墨制作团队大多规模小,力量薄弱,难以形成产业化规模等,这些因素制约了水墨动画的发展。本文在数字时代背景下,一方面对传统水墨动画的创作背景和发展历程进行有序梳理,力求通过分析与归纳的方法总结出数字水墨动画的起源基础和发展依据。另一方面通过分析比较的方法,归纳出数字水墨动画和传统水墨动画之间一脉相承的传承关系以及二者各自表现出的特点和出现的问题。另外通过对数字时代背景下创作的水墨动画发展现状的研究,力求找出适合数字化水墨动画产业化发展的方法,并最终为当前中国水墨动画的发展探索出一条适合本国国情的道路。
[Abstract]:Ink and water animation is a kind of original animation art form created by Chinese animation artists in the early 1960s. It takes the expression form of traditional Chinese ink painting techniques as the basic expression mode of animation character modeling and environmental space modeling. And by using the special processing technology of animation shooting, the ink and water painting modeling is photographed, and through continuous projection on the screen, it forms a thick and light moving image, such as "Little tadpole looking for Mom", "Mountain and Water situation" and so on, and a number of classic waterworks and ink cartoons are formed, such as "Little tadpole looking for Mother", "Mountain and Water situation", etc. Chinese ink cartoon has won the reputation of "Chinese school" for Chinese animation in the international animation field, which is inseparable from its long artistic conception, poetic meaning, simple and meaningful, fresh and elegant characteristics. However, since the 1990s, due to the rise of market economy and commercial animation, traditional ink animation is difficult to design and manufacture in a short time because of its complex design and production technology. It is difficult to meet the increasing demand of the audience for film and television culture, plus the dumping of the film and television culture of some powerful animation countries, such as Japan and the United States, which have seriously affected the appreciation interest of the audience in our country, and these factors have led to the decline of ink and wash animation. Chinese ink animation began to enter the low tide of development. Since the end of the 20th century, digital technology has entered a period of rapid development, which makes some domestic animation creators create ink and water animation through computer or other digital technology operating platform, trying to revive the brilliance of ink animation. And finally made some achievements. However, the creators of digital animation often have higher ability to operate digital technology platform, and lack the necessary quality of ink and wash painting, so the overall creation level of digital ink animation is not high. In addition, most of the domestic digital ink production team is small, weak, difficult to form the scale of industrialization, these factors restrict the development of ink and ink animation. In the background of the digital age, on the one hand, the creation background and development process of the traditional ink and wash animation are sorted out in an orderly way, and the origin and development basis of the digital ink and ink animation are summarized through the analysis and induction method. On the other hand, through the method of analysis and comparison, the paper summarizes the inheritance relationship between digital ink animation and traditional ink animation, as well as their respective characteristics and problems. In addition, through the research on the current situation of the development of ink and wash animation under the background of the digital age, the author tries to find out the suitable method for the industrialization development of digital ink and ink animation. And finally for the current development of Chinese ink animation to explore a suitable national conditions of the road.
【学位授予单位】：长春工业大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J954

【共引文献】