探析现代派绘画对二维动画的影响
发布时间：2018-11-14 11:38
【摘要】：正引言由于技术的进步、新材料的出现使得动画设计与制造发生了巨大的变革,其中三维动画因其形式丰富,并可依赖于计算机的操控,逐渐成为商业动画的主流。但二维动画的独特绘画性是最能够表达形象思维和强烈的情绪的,最能够将创作者的思想转化为丰满的形象,因此其具有难以替代的优势。比如日本动画大师宫崎骏的价值观只有通过二维动画这一形式才得以展现,才能实现其反璞归真的梦相。目前,获得人们普遍认可并取得了良好商业价值的二维动漫已经形成了动物拟人化的美式风格和主角的非人化(稚龄化)的日式风格两种。
[Abstract]:Due to the development of technology and the emergence of new materials, animation design and manufacture have undergone great changes, in which 3D animation has become the mainstream of commercial animation because of its rich form and computer manipulation. But the unique painting of two-dimensional animation is the most able to express the image of thinking and strong emotions, the most able to transform the creator's thoughts into a full image, so it has an irreplaceable advantage. For example, the Japanese animation master MiyazakiHayao's values can only be displayed through the form of two-dimensional animation, in order to realize his dream of returning to the uncut. At present, the two-dimensional anime, which has been generally recognized and has achieved good commercial value, has formed two kinds of American-style of animal personification and dehumanization of protagonist (childish age) Japanese style.
【分类号】：J954
[Abstract]:Due to the development of technology and the emergence of new materials, animation design and manufacture have undergone great changes, in which 3D animation has become the mainstream of commercial animation because of its rich form and computer manipulation. But the unique painting of two-dimensional animation is the most able to express the image of thinking and strong emotions, the most able to transform the creator's thoughts into a full image, so it has an irreplaceable advantage. For example, the Japanese animation master MiyazakiHayao's values can only be displayed through the form of two-dimensional animation, in order to realize his dream of returning to the uncut. At present, the two-dimensional anime, which has been generally recognized and has achieved good commercial value, has formed two kinds of American-style of animal personification and dehumanization of protagonist (childish age) Japanese style.
【分类号】：J954
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