中国动画创作中丝路文化题材资源研究与实践

发布时间：2018-12-13 01:55

【摘要】：动画剧本作为一部动画片的基础，在很大程度上影响着一部动画片的成功，动画片因其复杂的制作形式，剧本的统筹规划的重要性更加显而易见。中国动画曾有着辉煌的成绩，从《大闹天宫》到《哪吒闹海》，从《阿凡提》到《九色鹿》，动画前辈们力主创新，摆脱模仿，积极拓宽动画片种，坚持走民族化道路。这些取材于中国传统文学的动画剧作无论是从选材上还是表现形式上，都刻有深深的中国特色的烙印。在这个理论的指导下，秉承丰富的传统文化资源，中国动画创作者创造出了无数动漫精品。丝路文化博大精深的文化内涵为中国动画创作提供了丰富的题材资源。在剧本选材、主题思想、表现形式等方面借鉴丝路文化的精华，丰富自身艺术形式而形成鲜明特色，使中国动画曾经达到艺术的巅峰时期。丝路文化是深厚广博的资源，是一种开拓创新的精神，更是一条文化融合的通途。当下，本土动画创作必然不可只将寓意留在纸面上，而是要突破思维约束，深度挖掘丝路文化，汲取中外传统文化精髓进行大胆创新，顺应时代进行国际文化内涵整合，加大动画技术的支撑力度，以积极的务实探索、融会贯通精神着力创作新时代具有民族性却又不失世界性的中国动画作品。 20世纪90年代，当国家由计划经济向市场经济转变，大量国外优秀动画涌入国内，大眼睛细长腿的日本卡通形象充斥着国内动画市场，这的确挫伤了中国动画创作者的民族自尊心。急于改变的动画制作人转而向国外动画作品寻求经验，中国动画电影出现了数量上的大幅增长，但是作品在剧作上盲目跟风，照搬国外，，但又不甘心把原有的成绩全部抛弃，这就造成了中国动画的畸形发展。所以在当今在全球化语境的文化产业中，如何输出民族优秀文艺产品、输出民族优秀价值观，一直是国内文艺创作者孜孜以求的目标。本文运用了文献研究法研究相关数据、史料分析法研究历史资料、案例分析法分析影片特点、横向对比与纵向对比研究法等一系列研究方法首先从历史的维度进行中国动画探索与丝绸之路文化的渊源研究，再结合当下语境探索出一条如何充分开发民族文化资源以创作出动漫精品的新思路。总体来说本文从论证剧本创作的重要性出发，通过对丝绸之路文化资源的探寻，以及对中国动画和丝绸之路深层的内在联系的分析，指出了中国动画剧本创作的选材走向，并且提出了以传统文化艺术作为动画创作坚强后盾的思路。最后通过对经典影片的分析和一个尝试性的剧本创作来作为课题的实践，论证了丝路文化博大精深，是世界文化王冠上的明珠。只要我们认清艺术创作的规律，以文化作为动画创作的根本，从深厚的丝路文化中发掘题材资源，这样才能实现中国动画的再度辉煌。
[Abstract]:Animation script as the basis of an animated film, to a large extent affect the success of an animated film, animation because of its complex form of production, the importance of the script planning is more obvious. Chinese animation has had brilliant achievements, from "make a scene of Heaven Palace" to "Nezha", from "Avanti" to "Nine colors Deer", animation predecessors urged to innovate, get rid of imitation, actively broaden the variety of animation, adhere to the path of nationalization. These animated dramas drawn from traditional Chinese literature are engraved with deep Chinese characteristics, whether in material selection or form of expression. Under the guidance of this theory, the Chinese animation creators have created numerous animation products with rich traditional cultural resources. The broad and profound cultural connotation of Silk Road provides rich subject matter resources for Chinese animation creation. Drawing lessons from the essence of silk road culture in the aspects of script selection, theme, thought and form of expression, enrich one's own artistic form and form distinctive characteristics, which make Chinese animation have reached the peak of art. Silk Road Culture is a profound and extensive resource, a spirit of pioneering and innovation, and a path of cultural integration. At present, local animation creation must not only leave the moral on paper, but also break through the restriction of thinking, dig deeply into the Silk Road culture, absorb the essence of Chinese and foreign traditional culture to carry out bold innovation, and conform to the times to integrate the international cultural connotation. To strengthen the support of animation technology, to explore actively and pragmatically, to create Chinese animation works with national character but not without losing the world in the new era. In the 1990s, when the country changed from a planned economy to a market economy, a large number of foreign excellent animations poured into the country, and Japanese cartoon images with large eyes and long legs flooded the domestic animation market. This has really dampened the national pride of the Chinese animation creators. Eager to change the animation producers turn to foreign animation works to seek experience, the number of Chinese animation film has increased substantially, but the works blindly follow the trend in the drama, copy foreign, but not willing to abandon all the original achievements. This caused the abnormal development of Chinese animation. Therefore, in the cultural industry in the context of globalization, how to export national outstanding literature and art products, export national outstanding values, has been the goal of domestic literary and art creators. This article uses the literature research method to study the related data, the historical data analysis method to study the historical data, the case analysis method to analyze the film characteristic, A series of research methods, such as horizontal contrast and longitudinal contrast, are used to explore the origin of Chinese animation and Silk Road culture from the perspective of history. Combined with the current context to explore how to fully develop national cultural resources to create animation boutique new ideas. In general, this paper points out the selection trend of Chinese animation script creation through exploring the cultural resources of the Silk Road, and analyzing the inner relations between Chinese animation and the Silk Road, from the point of view of the importance of script creation. And put forward the idea of using traditional culture and art as the strong backing of animation creation. Finally, through the analysis of the classic film and a tentative script writing as a subject of practice, it is demonstrated that the Silk Road culture is broad and profound, and is the pearl on the crown of world culture. As long as we recognize the law of artistic creation, take culture as the foundation of animation creation, and excavate the subject matter resources from the deep culture of silk road, we can realize the resplendence of Chinese animation again.
【学位授予单位】：陕西科技大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J954

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