轻阅读时代的郭敬明现象
发布时间：2018-12-21 18:52
【摘要】：郭敬明作为近年来青春文学的偶像人物一直备受争议,他不仅是个成功的青春文学偶像,作品热销,深受读者的追崇；同时又是一个成功的商人,凭其灵敏的商业头脑带领团队将“最”系列杂志办得风声水起,让业内望尘莫及。但同时他却被冠以“郭抄抄”的名号,几乎每部著作都曾被披露“抄袭”的痕迹,而深爱他的读者却对此不以为然,一如既往的对其包庇和纵容。对于这样集成功与诟病于一身的“明星作家”,文学批评界一直是隔靴搔痒,表现出与这个青春文学群落的隔阂。我作为他的同龄人,试图站在新的文化立场来对此现象加以阐释。我从其创办的青春文学刊物《最小说》入手,借助日本动漫研究专家东浩纪的“数据库”理论来分析这个颇具吊诡的文学现象,“御宅一族”的阅读倾向、“轻阅读时代”的文化背景、粉丝团的消费经济以及其文学商业链的构建共同促成了郭的成功,粉丝群落和特定的文化背景共同构成这一文学新生态。从某种意义上说：郭敬明现象为我们打开解读这个时代文学观和阅读观的一扇窗户,让我们重新打量青春文学市场,审视新世纪青少年的阅读背景和价值观。
[Abstract]:Guo Jingming as the idol of youth literature in recent years has been controversial, he is not only a successful idol of youth literature, his works are popular, deeply respected by readers; At the same time is a successful businessman, with its sensitive business sense led the team to the "most" series of magazines, let the industry out of reach. But at the same time, he was dubbed "Guo copy", almost every book has been disclosed "plagiarism" trace, and the readers who love him do not think of it, as always to its cover and connivance. For such a successful and criticized "star writers", the literary criticism has always been a gap between the youth literature community and the gap. As a fellow of his age, I tried to explain the phenomenon from a new cultural standpoint. I start with the youth literature publication "the most novel" that he founded, and with the help of the "database" theory of Japanese animation research expert Dong Haoji, I analyze this rather curious literary phenomenon, the reading tendency of "Imperial House". The cultural background of the "light reading era", the consumption economy of the Fan Mi Tuan and the construction of its literary and commercial chain together contributed to Guo's success, and the fan community and the specific cultural background together constituted this new literary ecology. In a sense: Guo Jingming phenomenon opens a window for us to interpret the literary and reading views of this era, let us re-examine the youth literature market, examine the reading background and values of young people in the new century.
【学位授予单位】：北京大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：I206.7
本文编号：2389317
[Abstract]:Guo Jingming as the idol of youth literature in recent years has been controversial, he is not only a successful idol of youth literature, his works are popular, deeply respected by readers; At the same time is a successful businessman, with its sensitive business sense led the team to the "most" series of magazines, let the industry out of reach. But at the same time, he was dubbed "Guo copy", almost every book has been disclosed "plagiarism" trace, and the readers who love him do not think of it, as always to its cover and connivance. For such a successful and criticized "star writers", the literary criticism has always been a gap between the youth literature community and the gap. As a fellow of his age, I tried to explain the phenomenon from a new cultural standpoint. I start with the youth literature publication "the most novel" that he founded, and with the help of the "database" theory of Japanese animation research expert Dong Haoji, I analyze this rather curious literary phenomenon, the reading tendency of "Imperial House". The cultural background of the "light reading era", the consumption economy of the Fan Mi Tuan and the construction of its literary and commercial chain together contributed to Guo's success, and the fan community and the specific cultural background together constituted this new literary ecology. In a sense: Guo Jingming phenomenon opens a window for us to interpret the literary and reading views of this era, let us re-examine the youth literature market, examine the reading background and values of young people in the new century.
【学位授予单位】：北京大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：I206.7
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