“中国学派”动画艺术研究

发布时间：2019-01-18 13:19

【摘要】： 以上个世纪50、60年代和80年代在国内国际各类电影节上频频获奖的大批动画作品为代表的动画“中国学派”,在几十年的发展历程中,在自己独特的制作模式下,形成了独树一帜的艺术风格和鲜明的美学特征。在思想内容上,“文以载道”的文化传统和创作者的社会责任意识一方面使得中国学派的动画作品内容、主题纯洁,无不良影响,另一方面鲜明的教化意识也使“中国学派”动画作品呈现出题材狭窄和主题单薄的特点来。在艺术精神上,中国传统文化中丰富的艺术样式和蕴含在诸多艺术中的美学追求和艺术精神,为中国学派动画提供了艺术精神的滋养。来自于民间艺术和来自于文人艺术的两种影响使得中国学派动画作品既不失朴拙厚重的浑然大气又不失淡远蕴藉的高远意境。鲜明的民族化艺术风格和民族精神内核是“中国学派”动画作品得以自成一派的根本原因,也是当代更好发展动画产业的过程中不可忽视的宝贵财富。在体制上,中国学派成长的主要时代环境为计划经济时期。在非商业化、非市场化的运作环境下产生的“中国学派”缺乏市场观念,缺乏商品宣传和包装意识,缺乏成熟的市场运作经验。这为我们今天的产业化之路带来了一定的困难。当今世界,在产业化大潮中,作为备受重视的文化创意产业,在政策环境日益宽松的条件下,“中国学派”的复兴需要从提升动画作品本身的质量和建立完善的商业化运作模式两个角度去努力。
[Abstract]:The Chinese School of Animation, represented by a large number of animated works, which were frequently awarded awards at domestic and international film festivals in the 1950s, 1960s and 1980s, in the course of several decades of development, in their own unique production mode, Formed a unique artistic style and distinctive aesthetic characteristics. In terms of ideological content, the cultural tradition of "carrying the Tao in the text" and the social responsibility consciousness of the creators on the one hand make the content of the animation works of the Chinese school pure and have no adverse effect. On the other hand, the distinctive enlightenment consciousness also makes the animation works of the Chinese School show the characteristics of narrow theme and thin theme. In terms of artistic spirit, the rich artistic style in Chinese traditional culture and the aesthetic pursuit and artistic spirit contained in many arts provide the nourishment of artistic spirit for the animation of Chinese school. Because of the influence of folk art and literati art, the animation works of Chinese school not only have the profound atmosphere but also the high artistic conception. The distinctive national style of art and the core of national spirit are the fundamental reasons for the "Chinese School" animation works to become a school of their own, and also the valuable wealth that can not be ignored in the process of developing the animation industry better. In the system, the main time environment for the growth of the Chinese school is the planned economy period. In the non-commercial and non-market-oriented operating environment, the "Chinese school" lacks the market concept, the awareness of commodity propaganda and packaging, and the mature market operation experience. This has brought some difficulties to our industrialization today. In today's world, in the tide of industrialization, as a highly valued cultural and creative industry, under the increasingly relaxed policy environment, The revival of Chinese School needs to improve the quality of animation works and establish a perfect commercial operation model.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J954

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