从文本到影像:动漫《桃花源记》的审美转换与改编得失
发布时间：2019-03-07 11:33
【摘要】：陈明执导的《桃花源记》是近十年来的优秀国产动漫,也是我国动漫产业以民族品牌形象走向国际化的一次成功尝试。影片被誉为"艺术与技术的完美结合",是利用现代三维数码技术传播传统文化的一个经典案例。但是,作为改编自文学经典的影视作品,该影片在文本解读、叙事内涵等方面与原著有明显的误差。从文学经典到动漫影像,《桃花源记》的审美转换和改编得失,对促进影视与文学的互动发展有一定的借鉴和反思意义。
[Abstract]:Peach Flower Source directed by Chen Ming is an excellent domestic animation in the past ten years, and it is also a successful attempt to internationalize the animation industry of our country with the national brand image. The film is known as the perfect combination of art and technology. It is a classic case of spreading traditional culture by means of modern three-dimensional digital technology. However, as a film and television work adapted from literary classics, the film has obvious errors with the original book in terms of text interpretation, narrative connotation and so on. From literary classics to animation images, the aesthetic transformation and adaptation of Peach Flower Source has certain reference and reflection significance for promoting the interactive development of film and television and literature.
【作者单位】： 厦门大学人文学院;贵州师范大学传媒学院;
【分类号】：J954
本文编号：2436080
[Abstract]:Peach Flower Source directed by Chen Ming is an excellent domestic animation in the past ten years, and it is also a successful attempt to internationalize the animation industry of our country with the national brand image. The film is known as the perfect combination of art and technology. It is a classic case of spreading traditional culture by means of modern three-dimensional digital technology. However, as a film and television work adapted from literary classics, the film has obvious errors with the original book in terms of text interpretation, narrative connotation and so on. From literary classics to animation images, the aesthetic transformation and adaptation of Peach Flower Source has certain reference and reflection significance for promoting the interactive development of film and television and literature.
【作者单位】： 厦门大学人文学院;贵州师范大学传媒学院;
【分类号】：J954
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2 路琼;;动画电影《桃花源记》的艺术特征分析[J];电影文学;2014年14期
，本文编号：2436080
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