“80后”小说家研究
发布时间：2019-06-24 09:47
【摘要】： 每一代人都在追逐着自己的文学梦想,而每一代人的文学梦想又因其新异的特质而闪烁着独特的光芒。回顾新时期文学创作,在艰难的跋涉中,中国文学终于突破了惯性写作的维度而实现了向自觉写作的转换。从先锋小说对形式的执着,到新写实小说向现实的回归,再到新生代小说对个人话语的建立,每一次的探索都赋予了中国文学新的生命力。20世纪末以来,在众声喧哗的时代语境中,一批年轻的“80后”作家张扬着他们新鲜而凛冽的青春叱咤登场,以他们为主体构筑的“80后”文学在社会上引起了强烈反响,为中国文坛平添了一道独特的风景。而“80后”小说创作作为“80后”文学的生力军,更是彰显出一种新颖锐利的文学气质,以其不菲的创作实绩和鲜明的个性特征为新世纪的中国文学注入了一股清新而浓郁的青春气息。本文即以“80后”小说家为研究对象,在文本细读的基础上,对“80后”小说创作作出整体的观照。 “80后”一代人是生活在改革开放旗帜下的特殊的一代,社会转型期的历史文化语境赋予了他们独特的成长背景。在全新的时空状态下,他们在价值观、生活方式、行为准则等方面都与以往社会有着巨大差异。社会物质的极大丰富、程序化的教育体制、大众文化的影响在他们身上留下了深深的烙印。在这样的背景下成长起来的“80后”小说家自然形成了他们不同于以往的文化品格。他们追求个性,表现出更加张扬和率性的写作姿态;在他们眼中,文学不再是高高在上的圣坛;而城市化的进程、大众文化的兴盛也使这批年轻的作家表现出明显的都市化倾向和与市场的某种亲和。 “80后”小说家本身存在强烈的个性差异,他们的作品也呈现出多样化的创作样态,但是,共同的时代文化语境给予了他们相似的文化品格。透过“80后”小说文本,我们仍然可以在纷繁斑驳的表象背后发现其共通的思想和精神趋向。“80后”小说家大都在二十岁前后“出道”,这使他们的写作与青春期的个人体验和经验紧密相关。他们的小说作品体现出了较为明显的叛逆意识,渴望逃离禁锢,追寻属于自己的自由;成长中的孤独体验也在其作品中得到了淋漓尽致的抒写,氤氲成孤寂而忧伤的情绪氛围。同时,耽于幻想是他们这一代人共同的精神特质,也构成了“80后”小说中比较明显的想象特征。 综观“80后”小说文本,在彰显叛逆、孤独和幻想等精神趋向的同时,其叙事风格和语言特征也呈现出鲜明的倾向性。从叙事上看,其小说作品表现出浓郁的“个人化”风格,不约而同地从自我经历出发,极致地抒写自我的成长,多以“内聚焦”的叙事视角讲述“自己”的故事,渲染真实而凛冽的青春体验;同时,他们的作品也体现出一种对现实生活尤其是对都市物质生活的热忱和流连,从而构成了其个人化叙事风格的又一表征。在语言上,“80后”小说家似乎从一登场就萌发了某种自觉,追求新奇的审美效果,其语言表现出明显的“陌生化”倾向,而在大众文化的晕染中,影视、动漫的深刻影响使他们的小说语言带有极强的流动性和图像感,打上了一层“影像化”的光晕。 “80后”小说真率而诚挚地抒写青春的疼痛和温暖、张扬幻想的绮丽和吊诡,为新世纪文学注入了一些新鲜的活力。但是,我们必须看到,在“新鲜”的背后,“80后”小说创作也有着十分明显的局限,不知不觉地陷入了一种尴尬的困境。“80后”小说表现出明显的自我复制倾向,执着于反复地挖掘自己仅有的生命体验和个人经验,不厌其烦地将之诉诸笔端,进行着疲惫的自我复制,导致了其创作格局的狭隘和小气,显得局促而又后劲不足;他们的想象力呈现出某种“先天不足”,并有着极端化的畸形发展倾向;同时人文精神的缺失也是“80后”小说创作面临的一大困境。
[Abstract]:Every generation is chasing its own literary dream, and every generation's literary dream has a unique light because of its new characteristics. Reviewing the literary creation in the new period, in the difficult trek, the Chinese literature finally broke through the dimension of the inertia writing and realized the conversion to the conscious writing. From the persistence of the pioneer novel to the form, to the return of the new realistic novel to the reality, and to the creation of the personal discourse by the new-generation novel, each exploration has given the new vitality of the Chinese literature. Since the end of the 20th century, in the context of the noisy era, A group of young "80" writers made the appearance of their fresh and beautiful youth. The "80" literature, which they built for the subject, has aroused strong reaction in the society and added a unique landscape to the Chinese literary circles. As a new force of the "80" literature, the creation of the "80" novel shows a novel and sharp literary temperament, which has injected a fresh and strong youth breath into the Chinese literature in the new century with its high artistic performance and distinct personality characteristics. In this paper, the "80" novelist is the research object, and on the basis of the fine reading of the text, the author makes an overall view on the creation of the "80" novel. The "80" generation is the special generation of life under the banner of reform and opening-up, and the historical and cultural context of the social transformation has given them unique Long background. In the new time-and-space state, they have a great influence on the values, the way of life, the code of conduct, and so on Great difference. The social material's extremely rich and programmed education system, the influence of the mass culture has left deep in them The "80" novelists, who have grown up in this context, naturally form them different from those of the past In the eyes of their eyes, literature is no longer a lofty altar, and the process of urbanization and the prosperity of the mass culture also make the young writers manifest the tendency of urbanization and some of the market The "80" novelists themselves have a strong personality difference, their work also presents a variety of creative styles, but the common era cultural context gives them A similar cultural character. Through the "post-80s" novel, we can still find it common in the background of a variety of mottle. The trend of thought and spirit. Most of the "80" novelists are "out-of-road" before and after the age of 20, which makes their writing and adolescence personal experience It is closely related to the experience. Their small-story works embody the more obvious rebellious consciousness, the desire to flee the forbidden area, and pursue the freedom of their own; the lonely experience in the growth is also expressed in the works, and the loneliness is the loneliness. The emotional atmosphere of sadness is also a kind of spiritual trait of their generation, and also the comparison of the "80" 's novels. The text of the "80" of the comprehensive view, while showing the spiritual trend of the rebellion, the loneliness and the illusion, is the narrative style and the language. The sign also presents a distinct tendency. From the narrative, the small-story works show a strong "Personalization" style, and the self-experience is the ultimate expression of self-growth, and the "oneself" 's story is narrated by the "internal focus"' s narrative perspective, and the rendering is true. In the meantime, their work also shows a kind of enthusiasm and continuous connection to the real life, especially the urban material life, so as to form one of them. In the language, the "80" novelist seems to have developed some kind of self-consciousness from the appearance, pursuing the novel aesthetic effect, and the language has the obvious "chemical and biochemical" tendency, while in the language, The deep influence of film and TV and animation in the halo-dyeing of mass culture has made their novel language have very strong liquidity and image sense, with a layer of "unk>" imag. E " Halo. Image" The truth rate of the novel sincerely expresses the pain and warmth of the youth, and displays the illusion of the beauty and the pendant. In the new century, the literature of the new century has injected some fresh vitality. However, we must see that in the back of the "fresh", the creation of the "80" novel has a very obvious limitation. Unconsciously, it is in an awkward situation. The post-80s" novel shows the obvious self-replication tendency, and is dedicated to the repeated excavation of only the life experience and the personal experience of his own, and will not be tired of having to resort to the pen end, carry out the tired self-replication, and lead to the narrow creation pattern. Their imagination presents some kind of "The first day is not enough" and has the tendency of extreme form development, and the absence of the humanistic spirit is also "80"
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：I207.42
本文编号：2504964
[Abstract]:Every generation is chasing its own literary dream, and every generation's literary dream has a unique light because of its new characteristics. Reviewing the literary creation in the new period, in the difficult trek, the Chinese literature finally broke through the dimension of the inertia writing and realized the conversion to the conscious writing. From the persistence of the pioneer novel to the form, to the return of the new realistic novel to the reality, and to the creation of the personal discourse by the new-generation novel, each exploration has given the new vitality of the Chinese literature. Since the end of the 20th century, in the context of the noisy era, A group of young "80" writers made the appearance of their fresh and beautiful youth. The "80" literature, which they built for the subject, has aroused strong reaction in the society and added a unique landscape to the Chinese literary circles. As a new force of the "80" literature, the creation of the "80" novel shows a novel and sharp literary temperament, which has injected a fresh and strong youth breath into the Chinese literature in the new century with its high artistic performance and distinct personality characteristics. In this paper, the "80" novelist is the research object, and on the basis of the fine reading of the text, the author makes an overall view on the creation of the "80" novel. The "80" generation is the special generation of life under the banner of reform and opening-up, and the historical and cultural context of the social transformation has given them unique Long background. In the new time-and-space state, they have a great influence on the values, the way of life, the code of conduct, and so on Great difference. The social material's extremely rich and programmed education system, the influence of the mass culture has left deep in them The "80" novelists, who have grown up in this context, naturally form them different from those of the past In the eyes of their eyes, literature is no longer a lofty altar, and the process of urbanization and the prosperity of the mass culture also make the young writers manifest the tendency of urbanization and some of the market The "80" novelists themselves have a strong personality difference, their work also presents a variety of creative styles, but the common era cultural context gives them A similar cultural character. Through the "post-80s" novel, we can still find it common in the background of a variety of mottle. The trend of thought and spirit. Most of the "80" novelists are "out-of-road" before and after the age of 20, which makes their writing and adolescence personal experience It is closely related to the experience. Their small-story works embody the more obvious rebellious consciousness, the desire to flee the forbidden area, and pursue the freedom of their own; the lonely experience in the growth is also expressed in the works, and the loneliness is the loneliness. The emotional atmosphere of sadness is also a kind of spiritual trait of their generation, and also the comparison of the "80" 's novels. The text of the "80" of the comprehensive view, while showing the spiritual trend of the rebellion, the loneliness and the illusion, is the narrative style and the language. The sign also presents a distinct tendency. From the narrative, the small-story works show a strong "Personalization" style, and the self-experience is the ultimate expression of self-growth, and the "oneself" 's story is narrated by the "internal focus"' s narrative perspective, and the rendering is true. In the meantime, their work also shows a kind of enthusiasm and continuous connection to the real life, especially the urban material life, so as to form one of them. In the language, the "80" novelist seems to have developed some kind of self-consciousness from the appearance, pursuing the novel aesthetic effect, and the language has the obvious "chemical and biochemical" tendency, while in the language, The deep influence of film and TV and animation in the halo-dyeing of mass culture has made their novel language have very strong liquidity and image sense, with a layer of "unk>" imag. E " Halo. Image" The truth rate of the novel sincerely expresses the pain and warmth of the youth, and displays the illusion of the beauty and the pendant. In the new century, the literature of the new century has injected some fresh vitality. However, we must see that in the back of the "fresh", the creation of the "80" novel has a very obvious limitation. Unconsciously, it is in an awkward situation. The post-80s" novel shows the obvious self-replication tendency, and is dedicated to the repeated excavation of only the life experience and the personal experience of his own, and will not be tired of having to resort to the pen end, carry out the tired self-replication, and lead to the narrow creation pattern. Their imagination presents some kind of "The first day is not enough" and has the tendency of extreme form development, and the absence of the humanistic spirit is also "80"
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：I207.42
【引证文献】
相关硕士学位论文 前8条
1 王淑敏;从学校内的“失败”到学校外的“成名”[D];首都师范大学;2011年
2 杜智;关于中日新生代女作家“残酷描写”的比较研究[D];辽宁师范大学;2011年
3 邹艳;杂志书出版现象研究[D];湖南师范大学;2010年
4 李艳;当代文学的“中国经验”理论研究[D];广西师范大学;2010年
5 牛艺霞;“80后”文学批评之研究[D];兰州大学;2012年
6 蒙玲芳;“80后”女作家的女性意识[D];西北师范大学;2012年
7 谢兵;在青春文学困境中探索[D];杭州师范大学;2013年
8 周通;韩寒现象研究[D];延边大学;2013年
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