论市井文化在晚明福建版书籍装帧中的演绎

发布时间：2018-10-16 14:40

【摘要】：本文从晚明时期的福建版书籍装帧设计及内容的变化为切入点,讨论由于晚明时期出现的市井文化导致于处在这一文化浪潮下人们一直一来审美习惯的改变,以及探讨了对当时书籍装帧艺术风格的影响。中国古代市井文化的主体是指市民这个特殊的社会群体,因晚明时期的古代市民阶层并不从事农业生产,因此与农民有很大区别,其构成主要是小商贩、艺人等中下层城市居民,主要的区别体现在了文化水平上,这是由于他们大多受过教育,有一定程度的文化修养,但又不同于文人士大夫阶层。明代晚期书籍作为一种文化载体呈现出了与宋元时期截然不同的活泼形态,本文以福建地区的书籍装帧的艺术风格为例,通过分析福建版书籍装帧在版式设计上与之前样式的变化和区别,根据插图内容的变化或者书籍风格增加大量广告意味的新形势,探讨了在晚明时期,作为一种文化载体的书籍,从中所体现的社会审美出现了世俗化的审美倾向,本文将论证这与晚明时期高涨的市井文化有很大关系。文章分为四个部分,在第一部分主要阐述晚明福建版书籍装帧的设计变化,通过排版、插图、印刷这三个方面体现对宋元时期的继承和区别。在第二部分将主要论述晚明时期福建版书籍装帧设计风格的改变,如何体现了市井文化在晚明时期的兴盛。在第三部分剖析晚明福建版书籍装帧的变化下隐藏的社会主流的审美情趣,由高雅至世俗趣味的转变过程。在第四部分进一步阐述这种审美情趣出现的原因,将从时代社会的根源、大众心态和阅读人群层次的变化这三个方面进行分析总结,探讨市井文化是晚明时期各地书籍装帧形成多样并且有特色的艺术风格的根本原因。
[Abstract]:From the point of view of the design and content change of Fujian edition books in the late Ming Dynasty, this paper discusses the changes of aesthetic habits caused by the appearance of the market culture in the late Ming Dynasty. And discusses the influence on the art style of book binding at that time. The main body of the ancient Chinese market culture is the citizen, a special social group. Because the ancient citizen stratum in the late Ming Dynasty did not engage in agricultural production, it was very different from the peasants, and its composition was mainly small traders. The main difference between the artistes and other middle and lower class city residents is the cultural level, which is because most of them are educated and have a certain degree of cultural accomplishment, but they are different from the literati and officials. The late Ming Dynasty books, as a cultural carrier, showed a very different lively form from the Song and Yuan dynasties. This paper takes the artistic style of books binding in Fujian as an example. Based on the analysis of the changes and differences between the layout design of Fujian edition books and those of the previous ones, and according to the changes of illustrations or the new situation of increasing a large number of advertisements in the style of books, this paper discusses the late Ming Dynasty. As a kind of cultural carrier books, the social aesthetics reflected from the appearance of secularization aesthetic tendency, this article will demonstrate that this has a great deal to do with the upsurge of market culture in the late Ming Dynasty. The article is divided into four parts. In the first part, the author mainly expounds the design changes of the book binding in the late Ming Dynasty and Fujian version, which reflects the inheritance and difference to the Song and Yuan dynasties by typesetting, illustrating and printing. In the second part, the author mainly discusses the change of the design style of Fujian edition books in the late Ming Dynasty, how to reflect the prosperity of the market culture in the late Ming Dynasty. In the third part, the author analyzes the process of the transformation from elegance to worldly taste, which is hidden by the change of the binding design of Fujian edition books in the late Ming Dynasty. In the fourth part, the reasons for the appearance of this kind of aesthetic sentiment will be analyzed and summarized from three aspects: the source of the society of the times, the public mentality and the changes in the level of the reading crowd. It is the fundamental reason why various and distinctive artistic styles of books were formed in the late Ming Dynasty.
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J524

【参考文献】