极简色彩与幼稚化审美情趣探析

发布时间：2019-04-03 10:36

【摘要】：文化的创造在某种程度上等同于符号的创造。艺术史的发展过程也是艺术家逐步脱离对自然的复制,发现表征符号的过程。而随着电子媒介带来的“符号暴力”时代强有力的摧毁一切传统的边界,使文化日趋同质化、类型化,由此带来了大众艺术的革命。“幼稚化”符号作为大众艺术的一种表现形式而广泛存在。本文围绕艺术设计中的“幼稚化”现象,从“幼稚化表达”与“幼稚化审美”两方面进行探析。 “幼稚化”是一种直率与简化的表达方式。论文的前两章主要探讨“幼稚化表达”。通过对文明、文化与艺术关系的探讨,呈现艺术设计的历史与现代发展历程中“幼稚化”艺术形式的发展。探析“幼稚化”设计之所以能在当今时代占有一席之地是因为它的色彩与内容的易理解性。“幼稚化”艺术中选用儿童画般的简单、普遍的色彩,也是大众最常见的基本色彩。通过理清色彩角色的变化发展,说明色彩在艺术发展后期起到表征符号的作用,与大众日常生活、情绪变化相关联。艺术家用理性归纳作品简化的形式；用强烈、夸张的色彩来隐喻张扬的情绪。围绕“幼稚化”审美情趣的探析。生活在现代都市中的人们,期望回归到简单直接的方式体验世界,用真挚清新的风格表征世界。人的本能有识别形象的能力(只要可以找到现实的对应),“幼稚化审美”根植于人的本性,是不需要特殊学习的能力。这种真实的审美具有的共通性。纵观儿童与成人、小众与大众、高雅艺术与民间艺术,都体现着这种人类共通的审美观与心理机制。审美是大众在生活中不知不觉的隐性学习过程,大众艺术同样要做到对大众的正向引导作用。从20世纪初艺到当代,艺术家普遍追求幼稚化表达,运用“幼稚力”去表现、捕捉人类质朴、完整的精神家园。“幼稚化”的大众艺术不仅在吸引受众的数量上取胜,也呈现出许多高水平作品。当这种艺术形式借由现代新媒介的广泛传播,表现为个性化创意设计、通俗广告设计与符号化信息设计等形式,“幼稚化”设计的简洁清晰、易理解性、受人喜爱的程度都带动了其在新世纪的发展,引发了新的潮流。
[Abstract]:The creation of culture is to some extent equivalent to the creation of symbols. The development of art history is also a process in which artists gradually separate themselves from the reproduction of nature and discover symbolic symbols. With the era of symbol violence brought by electronic media, all the traditional boundaries are destroyed forcefully, and the culture is becoming more homogeneous and typified, which brings the revolution of mass art. "infantilisation" symbol as a form of expression of popular art and widespread existence. This article focuses on the phenomenon of "infantilisation" in artistic design from the two aspects of "infantilised expression" and "infantilised aesthetic". Infantilisation is a straightforward and simplified way of expression. The first two chapters of the thesis mainly discuss "infantile expression". Through the discussion of the relationship between civilization, culture and art, this paper presents the development of "infantile" art form in the history of art design and in the course of modern development. The reason why infantilised design can occupy a place in today's times is because of its color and comprehensibility of content. Childish art of children's painting-like simple, universal color, but also the most common basic color. By clarifying the change and development of color role, it is shown that color plays a symbolic role in the later stage of art development, which is related to the daily life and emotional change of the masses. Artists use rational generalizations to simplify their works; use intense, hyperbole colors to metaphorically express emotions. The analysis of aesthetic taste around "infantilisation". People living in modern cities expect to return to the simple and direct way to experience the world and represent it with sincere and fresh style. Human instinct has the ability to identify images (as long as a realistic counterpart can be found), "infantilised aesthetics" rooted in human nature, is no need for special learning ability. This true aesthetic has the commonality. Throughout children and adults, small groups and the masses, elegant art and folk art, all reflect this common aesthetic and psychological mechanism of human beings. Aesthetics is the hidden learning process of the masses in their lives, and the popular art should also play a positive role in guiding the masses. From the beginning of the 20th century to the present, artists generally pursue the expression of infantilism and use the infantile force to express and capture the simple and complete spiritual homeland of human beings. Infantile popular art not only wins in the number of audience, but also presents many high-level works. When this art form is widely disseminated by the modern new media, it is expressed in the form of personalized creative design, popular advertising design and symbolic information design, and the "infantile" design is concise and clear, easy to understand. The degree of popularity has led to its development in the new century and triggered a new trend.
【学位授予单位】：大连工业大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J501

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