现代数码版画独特的艺术形态与价值
发布时间：2019-04-24 19:25
【摘要】： 无论在传统上,还是在革新方面,版画艺术自身的版种分支的复杂性自然而然地导致了版画领域里观念的广泛性以及选材、风格和制作方法上的多样性。20世纪末期以来,人们一已趋向于探导新的艺术审美观,而新的审美观的建立通常离不开材料和技术的创新。有些版画家采用传统独特的版画媒介表现他们的创作理念。例如:铜版、木版和石版等等。还有些人则开始利用新兴的工具和材料进行实验、探索。目前,版画艺术家可利用的媒介很多,像大型印刷机、电动工具、合成版加版画纸、滚筒印刷和彩色油墨以及计算机媒介等等。更多的工业技术的进步把版画艺术家引向了实验、发明的时代,但是,并不是所有的实验都集中在材料和技术上。 版画家和其他艺术家一样在不断的寻找对比的方法,其中之一就是把加工过的版画材料组合在一起加以比较。石版、丝网、腐蚀凸版或宣纸贴印等版画通常需要制作成一个单一版面,现代版画家已经突破了旧的传统观念和技术的束缚。在版画制作过程中除了使用新材料、工具和技术之外,还发明了一种称为独幅版画的独特版画。四十年前许多画展不允许展出这种版画作品。照相制版的加工过程在欧美已经存在了三十年,最近计算机又成了绘制版画形象的工具,而且计算机还能从艺术史料上、报刊杂志、摄影艺术、商业广告艺术以及与之有关的领域里提取素材,加以合成。 分析、评论当代所有新生的数码艺术要远远超出这本书的局限,因为不同风格的艺术形式在竞相发展,新的绘画风格在不断形成、演变。我们不能设想某一单一的风格,能够永远主导未来版画艺术的发展方向。在中国新兴版画发展的六十余年的历史中,对外版画交流是其中的一项重要的活动内容。中外版画家通过交流互相学习,取长补短,可以促进版画艺术的共同提高,繁荣世界的版画艺术。中国新兴版画的倡导者鲁迅先生从一开始就十分重视中外版画交流的重要意义。当时他对外国版画的介绍便是不遗余力,而且他的视野也是全方位的,世界各国的优秀版画作品都是他引进的对象。今天,随着计算机图形处理技术和多媒体的广泛应用,欧美等国的当代数码技术的应用领域在不断的扩大,并且已经逐步深入到艺术创作的活动当中,并取得了初步的成功。今天,数码版画的引进和创新是现代科技与版画艺术的又一次很好的结合,是科学技术在当今社会创造的新的艺术形式。它为版画艺术又增添了新的活力,并延伸了版画艺术的概念,体现了版画艺术在新时代的无比包容性。但同时,数码版画当前还是以一种新事物的姿态出现在大家面前。本篇论文正是通过理性地辩证剖析当代数码版画作品的色彩纷呈、种类繁多的艺术形态来展现数码版画其存在的可能和特殊的艺术价值。
[Abstract]:In both tradition and innovation, the complexity of printmaking's own branch has naturally led to a wide range of ideas and diversity in material selection, style and production methods in the field of printmaking. Since the end of the 20th century, the complexity of its own branch has naturally led to a wide range of ideas and diversity in material selection, style and production methods in the field of printmaking. People have tended to explore new artistic aesthetics, and the establishment of new aesthetics usually depends on the innovation of materials and technology. Some printmakers use traditional and unique print media to express their creative ideas. For example: copper plate, wood plate and stone plate and so on. Others began to experiment and explore with emerging tools and materials. At present, there are many media available to print artists, such as large printing press, electric tools, synthetic plate plus printing paper, roller printing and color ink, computer media and so on. More advances in industrial technology have led printmaking artists to the era of experiments, inventions, but not all experiments focus on materials and technology. Printmakers, like other artists, are constantly looking for ways to compare, one of which is the combination of processed print materials. Lithography, silk screens, etched letterpress, or xanthan printing often require a single layout, and modern printmakers have broken through the constraints of old traditional concepts and techniques. In addition to the use of new materials, tools and techniques in print making, a unique print called a single print has been invented. Forty years ago, many art exhibitions did not allow such prints to be exhibited. The process of making photographic plates has been in existence in Europe and the United States for 30 years. Recently, computers have become tools for drawing printmaking images. Moreover, computers can also be used from the historical materials of art, newspapers and magazines, and the art of photography. Commercial advertising art and related fields to extract and synthesize materials. Analyzing and commenting on all contemporary new digital art goes far beyond the limits of this book, because different styles of art are competing for development, and new painting styles are constantly forming and evolving. We can not imagine a single style, can always dominate the direction of future print art. In the 60-year history of China's emerging printmaking, foreign printmaking exchange is one of the important activities. Chinese and foreign printmaking artists learn from each other and learn from each other, can promote the common improvement of printmaking art, and prosper the world's printmaking art. Mr. Lu Xun, an advocate of China's emerging printmaking, has attached great importance to the exchange between Chinese and foreign printmaking from the beginning. At that time, his introduction to foreign printmaking is spare no effort, and his vision is also all-round, the world's excellent prints are the object of his introduction. Today, with the wide application of computer graphics processing technology and multimedia, the application field of contemporary digital technology in Europe and America and other countries is expanding continuously, and has been gradually deepened into the activities of artistic creation, and has achieved initial success. Today, the introduction and innovation of digital printmaking is another very good combination of modern science and technology and printmaking art, and it is a new artistic form created by science and technology in today's society. It adds new vitality to print art, extends the concept of print art, and embodies the incomparable inclusiveness of print art in the new era. But at the same time, digital printing is still a new thing in front of everyone. This paper is through the rational dialectical analysis of contemporary digital printmaking works colorful, a wide range of artistic forms to show the existence of digital printing and its special artistic value.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J217
本文编号：2464718
[Abstract]:In both tradition and innovation, the complexity of printmaking's own branch has naturally led to a wide range of ideas and diversity in material selection, style and production methods in the field of printmaking. Since the end of the 20th century, the complexity of its own branch has naturally led to a wide range of ideas and diversity in material selection, style and production methods in the field of printmaking. People have tended to explore new artistic aesthetics, and the establishment of new aesthetics usually depends on the innovation of materials and technology. Some printmakers use traditional and unique print media to express their creative ideas. For example: copper plate, wood plate and stone plate and so on. Others began to experiment and explore with emerging tools and materials. At present, there are many media available to print artists, such as large printing press, electric tools, synthetic plate plus printing paper, roller printing and color ink, computer media and so on. More advances in industrial technology have led printmaking artists to the era of experiments, inventions, but not all experiments focus on materials and technology. Printmakers, like other artists, are constantly looking for ways to compare, one of which is the combination of processed print materials. Lithography, silk screens, etched letterpress, or xanthan printing often require a single layout, and modern printmakers have broken through the constraints of old traditional concepts and techniques. In addition to the use of new materials, tools and techniques in print making, a unique print called a single print has been invented. Forty years ago, many art exhibitions did not allow such prints to be exhibited. The process of making photographic plates has been in existence in Europe and the United States for 30 years. Recently, computers have become tools for drawing printmaking images. Moreover, computers can also be used from the historical materials of art, newspapers and magazines, and the art of photography. Commercial advertising art and related fields to extract and synthesize materials. Analyzing and commenting on all contemporary new digital art goes far beyond the limits of this book, because different styles of art are competing for development, and new painting styles are constantly forming and evolving. We can not imagine a single style, can always dominate the direction of future print art. In the 60-year history of China's emerging printmaking, foreign printmaking exchange is one of the important activities. Chinese and foreign printmaking artists learn from each other and learn from each other, can promote the common improvement of printmaking art, and prosper the world's printmaking art. Mr. Lu Xun, an advocate of China's emerging printmaking, has attached great importance to the exchange between Chinese and foreign printmaking from the beginning. At that time, his introduction to foreign printmaking is spare no effort, and his vision is also all-round, the world's excellent prints are the object of his introduction. Today, with the wide application of computer graphics processing technology and multimedia, the application field of contemporary digital technology in Europe and America and other countries is expanding continuously, and has been gradually deepened into the activities of artistic creation, and has achieved initial success. Today, the introduction and innovation of digital printmaking is another very good combination of modern science and technology and printmaking art, and it is a new artistic form created by science and technology in today's society. It adds new vitality to print art, extends the concept of print art, and embodies the incomparable inclusiveness of print art in the new era. But at the same time, digital printing is still a new thing in front of everyone. This paper is through the rational dialectical analysis of contemporary digital printmaking works colorful, a wide range of artistic forms to show the existence of digital printing and its special artistic value.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J217
【引证文献】
相关期刊论文 前3条
1 梁嘉;;开放·融合——当代多元文化视角下的版画教学趋向[J];美术大观;2011年11期
2 梁嘉;;版新 新版——当代高校版画教学的创新研究[J];美术教育研究;2011年12期
3 王琪斐;;版画艺术中的色彩语言分析[J];社科纵横;2012年09期
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