试论图像文化对架上绘画的影响

发布时间：2019-06-04 21:24

【摘要】： 真正的艺术必须伴随着历史,媒材,技术与功能的变化而变化。图像将对艺术产生非常重大的影响,甚至它本身也在成为艺术,成为艺术形式的一部分。对我们来说它是不可回避的,二十多年来的中国具象作品几乎都是用照片。照片是机器复制时代的产物,没有照片我们无法画画,我们是利用照片还是在画照片?这个问题具有现实的意义。图像文化的历史与绘画史在艺术的发展中从最初相互抵制到架上绘画彻底被图像所消融,在现代西方艺术格局中,一代代的绘画天才敏感的意识到图像给艺术带来的深刻变化,放手利用图像,使架上绘画在后现代纷繁复杂的各种媒介中固守着一小块可贵的边缘身份。图像时代的视觉艺术全方位发展,多媒体,电影,广告等的出现对大众带来新的视觉冲击,架上绘画自觉或不自觉与其他媒体形式融合,也是当下不可避免和不可否认的现象。但是,这不会使架上绘画退场,只是促进其在新的语境下寻求更好的发展。
[Abstract]:True art must be accompanied by changes in history, media, technology and function. Image will have a very significant impact on art, even it itself is becoming art, becoming a part of art form. It is inescapable for us. Almost all Chinese figurative works for more than 20 years have been photographed. Photos are the product of the era of machine reproduction. We can't draw without photos. Do we use photos or are we drawing pictures? The problem is of practical significance. In the development of art, the history of image culture and the history of painting have been completely melted by images from the initial boycott to shelf painting. In the pattern of modern western art, generations of painting geniuses are sensitive to the profound changes brought about by images to art. Let go of the use of images, so that the shelf painting in the complex post-modern media stuck to a small piece of valuable edge identity. The omni-directional development of visual art in the image age, the emergence of multimedia, film, advertising and so on have brought new visual impact to the public. It is also an inevitable and undeniable phenomenon that painting on the shelf is consciously or unconsciously integrated with other forms of media. However, this will not make the easel painting exit, but promote it to seek better development in the new context.
【学位授予单位】：吉林大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J205

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