20世纪20-40年代中国现代作家笔下的南洋形象研究

发布时间：2018-01-07 15:34

本文关键词：20世纪20-40年代中国现代作家笔下的南洋形象研究　出处：《青岛大学》2017年硕士论文　论文类型：学位论文

【摘要】：具有南洋生活经历的中国现代作家不止一二,他们根据自己的亲身体验,以域外独特的直接视域为基础进行文学创作,对南洋的自然景观、社会文化、风土人情进行了详尽的描述。这部分书写比较集中在20世纪20到40年代。作家在南洋形象的塑造中总是带有自我想象、个人情怀和民族反思。中国现代作家笔下的南洋不仅仅是空间位置的转换,同时也带有文化的位移,他们笔下的南洋形象值得深入研究。论文由绪论及正文组成。绪论主要梳理了国内外对中国现代作家笔下的南洋形象研究的现状,介绍了本篇论文的选题依据及意义。第二章,系统考察了20世纪20-40年代中国现代作家笔下的南洋风物,包括南洋独特的热带风光和社会景象。第三章,结合形象学的“自我与他者”、“本土与异域”理论,分析中国现代作家笔下的南洋社会旋律。第四章,介绍中国现代作家以南洋为参照系,重建家国的梦想。最后是结论部分。
[Abstract]:With the Nanyang life experience Chinese modern writers more than one or two, in accordance with their own personal experience, to directly view foreign based on the unique literary creation of Nanyang, natural landscape, social culture, local customs and practices are described in detail. This part of writing is more concentrated in twentieth Century to 40s 20. Writers in shaping the image of Nanyang always with self imagination, personal feelings and national reflection. Nanyang China modern writers is not only the conversion of spatial location, but also a cultural shift, they wrote the Nanyang image worthy of further study. The dissertation consists of preface and text. The introduction mainly reviews the current situation of the Study on the image of modern writers Chinese Nanyang under both at home and abroad, introduces the background and significance of this thesis. The second chapter investigated the Nanyang Chinese modern writers of the twentieth Century 20-40's. Nanyang unique scenery, including tropical scenery and social scene. In the third chapter, combined with the image of "self and others", "native and exotic" theory, analysis China modern writers of the Nanyang society theme. The fourth chapter introduces Chinese modern writers to Nanyang for reference and rebuild their nation's dream. The last part is the conclusion part.

【学位授予单位】：青岛大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I206.6

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