诗到相嘲雅见知:论宋代交游文化语境中的“戏人之诗”

发布时间：2018-01-07 20:37

本文关键词：诗到相嘲雅见知:论宋代交游文化语境中的“戏人之诗”　出处：《浙江学刊》2017年03期 　论文类型：期刊论文

【摘要】：一种以打趣、戏谑他人为主要旨趣的"戏人之诗"在宋代大量出现。这一现象是流行于民间的嘲诮文化向诗歌这一经典文体渗透的结果,伴随宋代士人交游活动的兴盛及交游关系的平等化而出现,并以禅宗"游戏三昧"等思想作为其理论资源。从题材上看,宋人所选择的"戏点"多为道德秩序内的日常意外。就艺术手法而言,"戏人之诗"多由以谐叙庄、使典为戏与带有"智慧的对话"性质的解嘲与反戏等方式营造雅谑效果。此外,"戏人之诗"还具有排遣忧闷、同道相知、触发追忆等交游功能。"戏人之诗"是宋代交游之诗的一种特殊类型,体现了宋代士人寓诚敬于谐戏、寄深情于笑乐的交往方式,显现出宋诗区别于唐音的风格特征。
[Abstract]:A kind of "opera person's poem", whose main purpose is to make fun of others, appeared in large numbers in the Song Dynasty. This phenomenon is the result of the penetration of the popular folk mockery culture into the classical style of poetry. Along with the prosperity of the social activities of scholars in Song Dynasty and the equalization of the relationship between them, the theory resources of Zen's "game of Samadhi" were taken as the theoretical resources, from the subject matter point of view. The "drama spot" chosen by the Song Dynasty was mostly a daily accident in the moral order. In terms of artistic techniques, the "poetry of the opera person" was mostly described in harmony. In addition, the poem of the Drama also has the effect of dispelling sorrow and knowing the same way. The poem of the Drama is a special type of the poems of the Song Dynasty, which embodies the communication way of the scholars in the Song Dynasty. It shows the stylistic characteristics of the Song poetry which is different from the Tang Yin.
【作者单位】：上海师范大学人文与传播学院;
【基金】：2016年上海市哲学社会科学规划课题青年项目“诗学转型视野下的宋代游戏性诗歌写作研究”(2016EWY003) 中国博士后科学基金第60批面上资助(2016M601626)的阶段性成果
【分类号】：I207.22
【正文快照】： 在以诗之言志、抒情、美刺等功能为重的古典诗歌传统中,以游戏姿态而为的俳谐戏谑之作多受轻视与非议,亦较少受到研究者的重视。然而事实上,这类诗作数量众多、自成传统,是古典诗歌丰富艺术面貌中不可或缺的一种。较之前代,游戏性写作在宋朝得到了更为显著的发展。宋诗中多诙

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