从“笔”之病犯论南朝“文笔说”

发布时间：2018-01-09 02:16

本文关键词：从“笔”之病犯论南朝“文笔说”　出处：《文艺理论研究》2017年02期 　论文类型：期刊论文

【摘要】：关于"文笔说"的讨论至今已延续良久。人们一直关注于其在文体分类中的作用。在《文镜秘府论》中,我们可以看到"笔"亦存在病犯,强调句中宫商和谐,且句末不押韵。由此我们得出,"文""笔"之分,应该是骈体的写作方式在南朝时流行的体现。唐代"文笔"说的式微也与骈体的衰落有关。从这则材料还可以看出南朝人对声律的重视和探索,但这并不足以构成"纯文学"观念形成的依据。
[Abstract]:Discussion on "writing" has been continued for a long time. People always pay attention to the stylistic categorization. In "Wenjing MiFu Lun", we can see the "pen" is that attack, in the palace of harmony, and at the end of the sentence doesn't rhyme. Thus we get, "Wen" the "pen", should be reflected in parallel way of writing popular in the Southern Dynasties. In the Tang Dynasty "writing" said the decline is also concerned with the parallel decline. From this material can also be seen in Southern Dynasties to the rhythms of attention and exploration, but it is not enough to form the "pure literature" conception of the basis.

【作者单位】：重庆师范大学文学院;
【分类号】：I206.2
【正文快照】： 南朝时的“文笔说”,由于处于鲁迅先生所言的辨析愈来愈精,人们对文学作品和非文学作品的“文学自觉的时代”,也通常被赋予非凡的意的区别逐步明确起来。‘文’‘笔’之辨,就是这一义,学界一般主要由颜延之“竣得臣笔,测得臣认识发展中的一个重要里程碑”(陆侃如40),所文”

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